ABSTRACT

While we owe much to twentieth and twenty-first century researchers’ careful studies of children’s linguistic and dramatic play, authors of literature, especially children’s literature, have matched and even anticipated these researchers in revealing play’s power—authors well aware of the way children use play to experiment with their position in the world. This volume explores the work of authors of literature as well as film, both those who write for children and those who use children as their central characters, who explore the empowering and subversive potentials of children at play. Play gives children imaginative agency over limited lives and allows for experimentation with established social roles; play’s disruptive potential also may prove dangerous not only for children but for the society that restricts them.

chapter |23 pages

Introduction

Caution—Children at Play: Investigations of Children’s Play in Theory and Literature

chapter 1|21 pages

“Fits of Vulgar Joy”

Spontaneous Play in Book 1 of Wordsworth’s The Prelude (1805)

chapter 3|21 pages

“Mammy, can’t you tell us sump’n’ to play?”

Children’s Play as the Locus for Imaginative Imitation and Cultural Exchange in the Plantation Novels of Louise Clarke Pyrnelle

chapter 4|20 pages

Words with Kids at Play

Sculpting Truth and Forging Childhood Friendship in Henry James’s What Maisie Knew and Elizabeth Bowen’s The House in Paris

chapter 5|19 pages

Idylls of Play

L. M. Montgomery’s Child-Worlds

chapter 7|21 pages

The Buttons of the World are Round

Gertrude Stein’s Toys

chapter 8|19 pages

Playing Pioneer

Childhood, Artistry, and Play in the Little House Series

chapter 9|19 pages

“I’m ready to play now, you guys!”

J. D. Salinger, Steven Spielberg, and the Healing Power of Children’s Play

chapter 12|20 pages

“The trampoline of letters and words”

Juvenile Linguistic Play in the Memoirs of Binyavanga Wainaina and Shailja Patel