ABSTRACT

The Rolling Stones’ Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the ‘mature’ sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades. From its title to the dark themes that pervade some of its songs, Beggars Banquet reflected and helped define a moment marked by violence, decay, and upheaval. It marked a move away from the artistic sonic flourishes of psychedelic rock towards an embrace of foundational streams of American music – blues, country – that had always underpinned the music of the Stones but assumed new primacy in their music after 1968. This move coincided with, and anticipated, the ‘roots’ moves that many leading popular music artists made as the 1960s turned toward a new decade; but unlike many of their peers whose music grew more ‘soft’ and subdued as they embraced traditional styles, the music and attitude of the Stones only grew harder and more menacing, and their status as representatives of the dark underside of the 60s rock counterculture assumed new solidity. For the Rolling Stones, the 1960s ended and the 1970s began with the release of this album in 1968.

chapter |16 pages

Introduction

“Just trying to do this jigsaw puzzle”

part I|70 pages

What can poor boys do, except to sing (and play and produce) in a rock ‘n’ roll band?

chapter 2|15 pages

‘And the drummer, he’s so shattered...’

The percussive core of Beggars Banquet

chapter 3|9 pages

‘And the bass player, he looks nervous’

Progressive elements in the bass lines of Beggars Banquet

chapter 4|12 pages

'Too much is never enough'

Beggars Banquet and the decline of Brian Jones

chapter 5|11 pages

“Five strings, three notes, two fingers, one asshole”

An essay on Keith Richards's use of open G tuning

chapter 6|14 pages

Doctor, I'm damaged

Medical and cultural mythologies of Nicky Hopkins and the Rolling Stones

part II|35 pages

“What's puzzling you is the nature of my game”: some ideas

chapter 7|10 pages

Condemned to be free

The frightening uncertainty of a world without morality

chapter 9|13 pages

Woo woooo

Beggars Banquet's new aesthetic

part III|41 pages

Some songs

chapter 10|12 pages

Please allow me to introduce myself

Autobiographical blues self-fashioning in ‘Sympathy for the Devil’

chapter 11|17 pages

Ghost at the banquet

The enigma of 'Child of the Moon'

part IV|28 pages

The Rolling Stones, live if you want it

chapter 13|16 pages

On the Road to Altamont

The Rolling Stones on Tour, 1969

chapter 14|10 pages

‘I’ve been around for a long, long year’

The spectacular evil in the Rolling Stones’ live performance career