ABSTRACT

Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today. Be it the portrayal of emotional characters in moving films or the creation of controllable emotional stimuli in scientific contexts, computer animation’s characteristic artificiality makes it ideal for various areas connected to the emotional: with the ability to move beyond the constraints of the empirical "real world," animation allows for an immense freedom. This book looks at international film productions using animation techniques to display and/or to elicit emotions, with a special attention to the aesthetics, characters and stories of these films, and to the challenges and benefits of using computer techniques for these purposes.

part I|2 pages

Introduction

chapter 1|10 pages

AnimOtion

Animating Emotions in the Digital Age

part II|2 pages

Emotion Theory and Animated Film

chapter 2|21 pages

‘Perfect Bridge over the Crocodiles’

Tacit Contracts, Listen Thieves, and Emotional Labor in the Animated Fago

part |1 pages

Art House Cinema

chapter 4|23 pages

The Butterfly Lovers

Sex, Gender, and Emotion-Based Story Prototypes

part |1 pages

Documentaries

chapter 5|20 pages

Animated Documentary

Viewer Engagement, Emotion, and Performativity

part IV|2 pages

Diegesis and Formal Features

part |1 pages

Narration and Sound

part |1 pages

chapter 8|19 pages

Light, Color, and (E)Motion

Animated Materiality and Surfaces in Moana

part |1 pages

Camera and Editing

part V|2 pages

Young Audiences

part VI|2 pages

Excurse

chapter 11|7 pages

“Portraying emotions is fundamental to animated film”

An Interview with Felix Gönnert