ABSTRACT

This collection analyzes how narrative technique developed from the late Middle Ages to the beginning of the 18th century. Taking Chaucer’s influential Middle English works as the starting point, the original essays in this volume explore diverse aspects of the formation of early modern prose narratives. Essays focus on how a sense of selfness or subjectivity begins to establish itself in various narratives, thus providing a necessary requirement for the individuality that dominates later novels. Other contributors investigate how forms of intertextuality inscribe early modern prose within previous traditions of literary writing. A group of chapters presents the process of genre-making as taking place both within the confines of the texts proper, but also within paratextual features and through the rationale behind cataloguing systems.

A final group of essays takes the implicit notion of the growing realism of early modern prose narrative to task by investigating the various social discourses that feature ever more strongly within the social, commercial, or religious dimensions of those texts. The book addresses a wide range of literary figures such as Chaucer, Wroth, Greene, Sidney, Deloney, Pepys, Behn, and Defoe. Written by an international group of scholars, it investigates the transformations of narrative form from medieval times through the Renaissance and the early modern period, and into the eighteenth century.

chapter |21 pages

Introduction

A Narrative of Transformation

part I|54 pages

The Growing Sense of Self

chapter 3|17 pages

Writing Selves

Early Modern Diaries and the Genesis of the Novel

part II|81 pages

The Force of Intertextuality

chapter 5|19 pages

From Hell

A Mirror for Magistrates and the Late Elizabethan Female Complaint

chapter 6|20 pages

Telling Tales

The Artistry of Lady Mary Wroth's Urania

chapter 7|22 pages

The Early English Novel in Antwerp

The Impact of Jan van Doesborch

part III|60 pages

The Consolidation of Genre

chapter 8|17 pages

Narrative and Poiesis

Defoe, Ovid, and Transformative Writing

chapter 9|21 pages

The Prenovel

Theory and the Archive

chapter 10|20 pages

Paratext and Genre *

Making Seventeenth-Century Readers