ABSTRACT
The content of artistic research can be understood as a non-philosophical articulation of how various media – such as photography, public space, and scientific models – present the world visually in the form of perceptual regimes and strategies. Artistic research stands up critically against each mode of visual reduction and cultural disciplining in the form of a dynamic mapping of a series of heterogeneous, open-ended rearticulations, thus showing different forms of knowledge production. In so doing, artistic research deals intrinsically with the crucial question of the artistic image’s role and its medium-specific position in current visual cultures.
