ABSTRACT

‘Scrupulously compiled and skillfully translated by Andrei Malaev-Babel, The Vakhtangov Sourcebook ... provides the most comprehensive addition to English readers’ knowledge of the philosophy, pedagogy, and legacy of Vakhtangov.’ – Modern Language Review

'An exceptionally valuable book that promises to be the definitive reference for Vakhtangov's work for years to come.' Theatre Topics

Yevgeny Vakhtangov was the creator of Fantastic Realism, credited with reconciling Meyerhold’s bold experiments with Stanislavski’s naturalist technique. The Vakhtangov Sourcebook compiles new translations of his key writings on the art of theatre, making it the primary source of first hand material on this master of theatre in the English speaking world.

Vakhtangov’s essays and articles are accompanied by:

    • Diary and Notebook excerpts
    • His lectures to the Vakhtangov Studio
    • In-depth accounts of Vakhtangov methods in rehearsal
    • Production photographs and sketches
    • Extensive bibliographies
    • Director’s notes on key performances

An extensive introductory overview from editor Andrei Malaev-Babel explains Vakhtangov‘s creative life, his groundbreaking theatrical concepts and influential directorial works.

part I|83 pages

Introduction

chapter 1|25 pages

On Vakhtangov's Work and Writings

chapter 2|20 pages

The Theatre of Mystery

chapter 3|18 pages

Toward the Theatre of Fantastic Realism

chapter 4|16 pages

Toward the Theatre of the Future

chapter 5|2 pages

Theatre of the Eternal Mask

part II|39 pages

Vakhtangov on Theatre, Actor Training, and an Actor's Creative Process

chapter 6|5 pages

On Theatre

chapter 7|7 pages

On the Actor's Creative Process

chapter 8|4 pages

On the Stanislavsky System

chapter 9|7 pages

On Character and Characterization

chapter 11|4 pages

On the Organic Outer Technique

part III|34 pages

Fantastic Realism

chapter 12|1 pages

Axioms of Fantastic Realism

chapter 14|2 pages

Expressive Means of Fantastic Realism

chapter 15|13 pages

Theatrical Models of Fantastic Realism

chapter 16|10 pages

Two Final Discussions with Students

part IV|9 pages

Popular Theatre

chapter 17|4 pages

Theory and Practice of the Popular Theatre

chapter 18|3 pages

Philosophy of the Popular Theatre

part V|28 pages

Transfiguring the Stanislavsky System

chapter 19|20 pages

Lectures on the Stanislavsky System 1

chapter 20|6 pages

Materials on the Stanislavsky System

part VI|28 pages

From Director's Diaries

part VII|17 pages

Vakhtangov at the MAT and its First Studio

part VIII|66 pages

Vakhtangov Rehearses

chapter 28|12 pages

Theatre of the Emotional Experience

chapter 29|16 pages

Toward the Theatre of Mystery

chapter 30|9 pages

Toward Fantastic Realism

chapter 31|27 pages

Fantastic Realism

part 9|20 pages

Correspondence with Colleagues

chapter 32|7 pages

First Studio of the MAT Letters

chapter 34|4 pages

Three Final Letters