ABSTRACT
Well meaning white artists and writers who think we are ultra-sensitive often idealize and romanticize indigenous cultures on one hand, or force them into a Western hegemonic analysis on the other…. There is no “proper” or “politically correct” response by white artists that does not leave something out. But there is a difference between homage and robbery, between mutual exchange and rape. (Lippard, 1990, p. 9)
