ABSTRACT

This collection of eleven essays positions Moore within a developing and expanding international readership during the course of the nineteenth century. In accounting for the successes he achieved and the challenges he faced, recurring themes include: Moore’s influence and reputation; modes of dissemination through networks and among communities; also, the articulation of personal, political, and national identities. This book, the product of an international team of scholars, is the first to focus explicitly on the reputations of Thomas Moore in different parts of the world, including Bombay, Dublin, Leipzig, and London, as well as America, Canada, Greece, and the Hispanic world. Through it, we will understand more about Moore’s reception, and also appreciate how the publication and dissemination of poetry and song in the romantic and Victorian eras operated in different parts of the world—in particular considering how artistic and political networks effected the transmission of cultural products.

part I|70 pages

Moore’s Reputations as a Poet

chapter 2|17 pages

“A Canadian Boat Song”

Origins and Impact in English Canada

chapter 3|16 pages

Satire, Militarism, and the Hunt

Appropriations of Thomas Moore in Sporting Bombay

chapter 5|16 pages

When Thomas Moore Was the Headline Act

John Boyle O’Reilly, Cultural Politics, and the Marketability of Moore

part II|72 pages

Moore’s Reputations as Established through Music Networks

chapter 7|25 pages

Romantic Patriotism and the Building of Reputation

The Case of Robert Schumann’s Das Paradies und die Peri

chapter 8|25 pages

“Higher universal language of the heart”

The Reputations of Moore’s Irish Melodies in the United States

part III|68 pages

Moore’s Reputations as Established through Political Networks