ABSTRACT

This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions.

Using methods from literary analysis, book history and Indian aesthetic theories, the volume throws light on the variety of contexts in which genre literature is read, activated and used, from political debates surrounding national and regional identities to caste and class conflicts. It shows that Indian genre fiction (including pulp fiction, comics and graphic novels) transmutes across languages, time periods, in translation and through publication processes. While the book focuses on contemporary postcolonial genre literature production, it also draws connections to individual, centuries-long literary traditions of genre literature in the Indian subcontinent. Further, it traces contested hierarchies within these languages as well as current trends in genre fiction criticism.

Lucid and comprehensive, this book will be of great interest to academics, students, practitioners, literary critics and historians in the fields of postcolonialism, genre studies, global genre fiction, media and popular culture, South Asian literature, Indian literature, detective fiction, science fiction, romance, crime fiction, horror, mythology, graphic novels, comparative literature and South Asian studies. It will also appeal to the informed general reader.

chapter |14 pages

Introduction

Indian genre fiction – languages, literatures, classifications

part I|72 pages

Emergence of distinctions

chapter 2|19 pages

Homage to a ‘Magic-Writer’

The Mistrīz and Asrār novels of Urdu

chapter 3|16 pages

A series of unfortunate events

Natural calamities in 19th-century Bengali chapbooks

chapter 4|14 pages

Explorers of subversive knowledge

The science fantasy of Leela Majumdar and Sukumar Ray

part II|52 pages

Postcolonial reassertions

chapter 5|14 pages

Hearts and homes

A perspective on women writers in Hindi

chapter 6|18 pages

Genre fiction and aesthetic relish

Reading rasa in contemporary times

chapter 7|18 pages

Community fiction

Mamang Dai’s The Legends of Pensam and Temsula Ao’s These Hills Called Home: Stories from a War Zone

part III|64 pages

Genres in the 21st century

chapter 8|18 pages

Post-millennial ‘mythology-inspired fiction’ in English

The market, the genre, and the (global) reader

chapter 9|16 pages

Expanding world of Indian English fiction

The Mahabharata retold in Krishna Udayasankar’s The Aryavarta Chronicles and Amruta Patil’s Adi Parva

chapter 11|14 pages

From the colloquial to the ‘Literary’

Hindi pulp’s journey from the streets to the bookshelves