ABSTRACT

What makes Methodist worship "Methodist" or "Wesleyan?" How do Methodists evaluate emerging forms of worship in light of their own liturgical heritage? This book considers these questions by bringing to light the work and significance of three Methodist liturgists who have until now received precious little scholarly focus: Thomas O. Summers (1812-1882), Nolan B. Harmon (1892-1993), and James F. White (1932-2004). Exploring each one’s contribution to the Methodist movement, it evaluates their continuing legacies as scholars and practitioners of Methodist worship.

Importantly, the work of all these men occurred during times of cultural change, which gave rise to new ways of worship within the landscape of American Methodism. Addressing them in chronological order, this study shows how each figure enacted liturgical reform and renewal by drawing from the liturgical textual tradition inherited directly from John Wesley’s Sunday Service of the Methodist in North America as well as the hymnody of Charles Wesley. It also demonstrates how they sought to inculturate the Wesleyan liturgical tradition in the midst of these significant changes.

Evaluating historic and emerging trends in Methodist liturgical praxis, this is a book that will be of great interest to scholars of Methodism, the History of Religion, Liturgical Studies and Theology.

chapter |6 pages

Introduction

Form and freedom; distinction and inculturation

part |74 pages

Thomas Osmund Summers

chapter 2|47 pages

Between the extremes

Form and freedom

part |55 pages

Nolan Bailey Harmon

chapter 3|29 pages

The unlikely liturgist

chapter 4|24 pages

The other side of the pendulum

part |60 pages

James Floyd White

chapter 5|35 pages

The consummate academic

chapter 6|23 pages

Methodist worship in a pluralistic age

chapter |15 pages

Conclusion

Evaluating emerging forms