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The Expanding Discourse
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The Expanding Discourse

Feminism And Art History

The Expanding Discourse

Feminism And Art History

ByNorma Broude
Edition 1st Edition
First Published 1992
eBook Published 23 February 2018
Pub. location New York
Imprint Routledge
DOIhttps://doi.org/10.4324/9780429492839
Pages 532 pages
eBook ISBN 9780429961380
SubjectsArts
KeywordsBerthe Morisot, Woman Artist, Sabine Woman, Rosa Bonheur, Piazza Della Signoria
Get Citation

Get Citation

Broude, N. (1992). The Expanding Discourse. New York: Routledge, https://doi.org/10.4324/9780429492839
ABOUT THIS BOOK

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

TABLE OF CONTENTS
chapter |25 pages
Introduction: The Expanding Discourse
ByNorma Broude, Mary D. Garrard
View abstract
chapter 1|12 pages
The Virgin’s One Bare Breast
Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture
ByMargaret R. Miles
View abstract
chapter 2|20 pages
Women in Frames
The Gaze, the Eye, the Profile in Renaissance Portraiture
ByPatricia Simons
View abstract
chapter 3|28 pages
Leonardo Da Vinci
Female Portraits, Female Nature
ByMary D. Garrard
View abstract
chapter 4|14 pages
The Taming of the Blue
Writing Out Color in Italian Renaissance Theory
ByPatricia L. Reilly
View abstract
chapter 5|10 pages
Botticelli’s Primavera
A Lesson for the Bride
ByLilian Zirpolo
View abstract
chapter 6|16 pages
Titian’s Sacred and Profane Love and Marriage
ByRona Goffen
View abstract
chapter 7|12 pages
The Loggia Dei Lanzi
A Showcase of Female Subjugation
ByYael Even
View abstract
chapter 8|22 pages
The Erotics of Absolutism
Rubens and the Mystification of Sexual Violence
ByMargaret D. Carroll
View abstract
chapter 9|10 pages
The Muted Other
Gender and Morality in Augustan Rome and Eighteenth-Century Europe
ByNatalie Boymel Kampen
View abstract
chapter 10|16 pages
Secluded Vision
Images of Feminine Experience in Nineteenth-Century Europe
ByAnne Higonnet
View abstract
chapter 11|20 pages
“Disagreeably Hidden”
Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair
ByJames M. Saslow
View abstract
chapter 12|24 pages
“L’art Féminin”
The Formation of a Critical Category in Late Nineteenth-Century France
ByTamar Garb
View abstract
chapter 13|14 pages
Morisot’s Wet Nurse
The Construction of Work and Leisure in Impressionist Painting
ByLinda Nochlin
View abstract
chapter 14|24 pages
Modernity and the Spaces of Femininity
ByGriselda Pollock
View abstract
chapter 15|26 pages
Edgar Degas and French Feminism, ca. 1880
“The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited
ByNorma Broude
View abstract
chapter 16|18 pages
Renoir and the Natural Woman
ByTamar Garb
View abstract
chapter 17|18 pages
Going Native
Paul Gauguin and the Invention of Primitivist Modernism
ByAbigail Solomon-Godeau
View abstract
chapter 18|16 pages
Gauguin’s Tahitian Body
ByPeter Brooks
View abstract
chapter 19|12 pages
The MoMA’s Hot Mamas
ByCarol Duncan
View abstract
chapter 20|22 pages
Constructing Myths and Ideologies in Matisse’s Odalisques
ByMarilynn Lincoln Board
View abstract
chapter 21|16 pages
Ladies Shot and Painted
Female Embodiment in Surrealist Art
ByMary Ann Caws
View abstract
chapter 22|12 pages
Culture, Politics, and Identity in the Paintings of Frida Kahlo
ByJanice Helland
View abstract
chapter 23|16 pages
Egalitarian Vision, Gendered Experience
Women Printmakers and the WPA/FAP Graphic Arts Project
ByHelen Langa
View abstract
chapter 24|12 pages
Lee Krasner as L.K.
ByAnne M. Wagner
View abstract
chapter 25|14 pages
Georgia O’Keeffe and Feminism
A Problem of Position
ByBarbara Buhler Lynes
View abstract
chapter 26|16 pages
Judy Chicago’s Dinner Party
A Personal Vision of Women’s History
ByJosephine Withers
View abstract
chapter 27|8 pages
Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists
Faith Ringgold’s Observations on the 1960s in America
ByLowery S. Sims
View abstract
chapter 28|12 pages
Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold
ByFreida High W. Tesfagiorgis
View abstract
chapter 29|17 pages
The Discourse of Others
Feminists and Postmodernism
ByCraig Owens
View abstract

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

TABLE OF CONTENTS
chapter |25 pages
Introduction: The Expanding Discourse
ByNorma Broude, Mary D. Garrard
View abstract
chapter 1|12 pages
The Virgin’s One Bare Breast
Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture
ByMargaret R. Miles
View abstract
chapter 2|20 pages
Women in Frames
The Gaze, the Eye, the Profile in Renaissance Portraiture
ByPatricia Simons
View abstract
chapter 3|28 pages
Leonardo Da Vinci
Female Portraits, Female Nature
ByMary D. Garrard
View abstract
chapter 4|14 pages
The Taming of the Blue
Writing Out Color in Italian Renaissance Theory
ByPatricia L. Reilly
View abstract
chapter 5|10 pages
Botticelli’s Primavera
A Lesson for the Bride
ByLilian Zirpolo
View abstract
chapter 6|16 pages
Titian’s Sacred and Profane Love and Marriage
ByRona Goffen
View abstract
chapter 7|12 pages
The Loggia Dei Lanzi
A Showcase of Female Subjugation
ByYael Even
View abstract
chapter 8|22 pages
The Erotics of Absolutism
Rubens and the Mystification of Sexual Violence
ByMargaret D. Carroll
View abstract
chapter 9|10 pages
The Muted Other
Gender and Morality in Augustan Rome and Eighteenth-Century Europe
ByNatalie Boymel Kampen
View abstract
chapter 10|16 pages
Secluded Vision
Images of Feminine Experience in Nineteenth-Century Europe
ByAnne Higonnet
View abstract
chapter 11|20 pages
“Disagreeably Hidden”
Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair
ByJames M. Saslow
View abstract
chapter 12|24 pages
“L’art Féminin”
The Formation of a Critical Category in Late Nineteenth-Century France
ByTamar Garb
View abstract
chapter 13|14 pages
Morisot’s Wet Nurse
The Construction of Work and Leisure in Impressionist Painting
ByLinda Nochlin
View abstract
chapter 14|24 pages
Modernity and the Spaces of Femininity
ByGriselda Pollock
View abstract
chapter 15|26 pages
Edgar Degas and French Feminism, ca. 1880
“The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited
ByNorma Broude
View abstract
chapter 16|18 pages
Renoir and the Natural Woman
ByTamar Garb
View abstract
chapter 17|18 pages
Going Native
Paul Gauguin and the Invention of Primitivist Modernism
ByAbigail Solomon-Godeau
View abstract
chapter 18|16 pages
Gauguin’s Tahitian Body
ByPeter Brooks
View abstract
chapter 19|12 pages
The MoMA’s Hot Mamas
ByCarol Duncan
View abstract
chapter 20|22 pages
Constructing Myths and Ideologies in Matisse’s Odalisques
ByMarilynn Lincoln Board
View abstract
chapter 21|16 pages
Ladies Shot and Painted
Female Embodiment in Surrealist Art
ByMary Ann Caws
View abstract
chapter 22|12 pages
Culture, Politics, and Identity in the Paintings of Frida Kahlo
ByJanice Helland
View abstract
chapter 23|16 pages
Egalitarian Vision, Gendered Experience
Women Printmakers and the WPA/FAP Graphic Arts Project
ByHelen Langa
View abstract
chapter 24|12 pages
Lee Krasner as L.K.
ByAnne M. Wagner
View abstract
chapter 25|14 pages
Georgia O’Keeffe and Feminism
A Problem of Position
ByBarbara Buhler Lynes
View abstract
chapter 26|16 pages
Judy Chicago’s Dinner Party
A Personal Vision of Women’s History
ByJosephine Withers
View abstract
chapter 27|8 pages
Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists
Faith Ringgold’s Observations on the 1960s in America
ByLowery S. Sims
View abstract
chapter 28|12 pages
Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold
ByFreida High W. Tesfagiorgis
View abstract
chapter 29|17 pages
The Discourse of Others
Feminists and Postmodernism
ByCraig Owens
View abstract
CONTENTS
ABOUT THIS BOOK

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

TABLE OF CONTENTS
chapter |25 pages
Introduction: The Expanding Discourse
ByNorma Broude, Mary D. Garrard
View abstract
chapter 1|12 pages
The Virgin’s One Bare Breast
Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture
ByMargaret R. Miles
View abstract
chapter 2|20 pages
Women in Frames
The Gaze, the Eye, the Profile in Renaissance Portraiture
ByPatricia Simons
View abstract
chapter 3|28 pages
Leonardo Da Vinci
Female Portraits, Female Nature
ByMary D. Garrard
View abstract
chapter 4|14 pages
The Taming of the Blue
Writing Out Color in Italian Renaissance Theory
ByPatricia L. Reilly
View abstract
chapter 5|10 pages
Botticelli’s Primavera
A Lesson for the Bride
ByLilian Zirpolo
View abstract
chapter 6|16 pages
Titian’s Sacred and Profane Love and Marriage
ByRona Goffen
View abstract
chapter 7|12 pages
The Loggia Dei Lanzi
A Showcase of Female Subjugation
ByYael Even
View abstract
chapter 8|22 pages
The Erotics of Absolutism
Rubens and the Mystification of Sexual Violence
ByMargaret D. Carroll
View abstract
chapter 9|10 pages
The Muted Other
Gender and Morality in Augustan Rome and Eighteenth-Century Europe
ByNatalie Boymel Kampen
View abstract
chapter 10|16 pages
Secluded Vision
Images of Feminine Experience in Nineteenth-Century Europe
ByAnne Higonnet
View abstract
chapter 11|20 pages
“Disagreeably Hidden”
Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair
ByJames M. Saslow
View abstract
chapter 12|24 pages
“L’art Féminin”
The Formation of a Critical Category in Late Nineteenth-Century France
ByTamar Garb
View abstract
chapter 13|14 pages
Morisot’s Wet Nurse
The Construction of Work and Leisure in Impressionist Painting
ByLinda Nochlin
View abstract
chapter 14|24 pages
Modernity and the Spaces of Femininity
ByGriselda Pollock
View abstract
chapter 15|26 pages
Edgar Degas and French Feminism, ca. 1880
“The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited
ByNorma Broude
View abstract
chapter 16|18 pages
Renoir and the Natural Woman
ByTamar Garb
View abstract
chapter 17|18 pages
Going Native
Paul Gauguin and the Invention of Primitivist Modernism
ByAbigail Solomon-Godeau
View abstract
chapter 18|16 pages
Gauguin’s Tahitian Body
ByPeter Brooks
View abstract
chapter 19|12 pages
The MoMA’s Hot Mamas
ByCarol Duncan
View abstract
chapter 20|22 pages
Constructing Myths and Ideologies in Matisse’s Odalisques
ByMarilynn Lincoln Board
View abstract
chapter 21|16 pages
Ladies Shot and Painted
Female Embodiment in Surrealist Art
ByMary Ann Caws
View abstract
chapter 22|12 pages
Culture, Politics, and Identity in the Paintings of Frida Kahlo
ByJanice Helland
View abstract
chapter 23|16 pages
Egalitarian Vision, Gendered Experience
Women Printmakers and the WPA/FAP Graphic Arts Project
ByHelen Langa
View abstract
chapter 24|12 pages
Lee Krasner as L.K.
ByAnne M. Wagner
View abstract
chapter 25|14 pages
Georgia O’Keeffe and Feminism
A Problem of Position
ByBarbara Buhler Lynes
View abstract
chapter 26|16 pages
Judy Chicago’s Dinner Party
A Personal Vision of Women’s History
ByJosephine Withers
View abstract
chapter 27|8 pages
Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists
Faith Ringgold’s Observations on the 1960s in America
ByLowery S. Sims
View abstract
chapter 28|12 pages
Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold
ByFreida High W. Tesfagiorgis
View abstract
chapter 29|17 pages
The Discourse of Others
Feminists and Postmodernism
ByCraig Owens
View abstract

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

TABLE OF CONTENTS
chapter |25 pages
Introduction: The Expanding Discourse
ByNorma Broude, Mary D. Garrard
View abstract
chapter 1|12 pages
The Virgin’s One Bare Breast
Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture
ByMargaret R. Miles
View abstract
chapter 2|20 pages
Women in Frames
The Gaze, the Eye, the Profile in Renaissance Portraiture
ByPatricia Simons
View abstract
chapter 3|28 pages
Leonardo Da Vinci
Female Portraits, Female Nature
ByMary D. Garrard
View abstract
chapter 4|14 pages
The Taming of the Blue
Writing Out Color in Italian Renaissance Theory
ByPatricia L. Reilly
View abstract
chapter 5|10 pages
Botticelli’s Primavera
A Lesson for the Bride
ByLilian Zirpolo
View abstract
chapter 6|16 pages
Titian’s Sacred and Profane Love and Marriage
ByRona Goffen
View abstract
chapter 7|12 pages
The Loggia Dei Lanzi
A Showcase of Female Subjugation
ByYael Even
View abstract
chapter 8|22 pages
The Erotics of Absolutism
Rubens and the Mystification of Sexual Violence
ByMargaret D. Carroll
View abstract
chapter 9|10 pages
The Muted Other
Gender and Morality in Augustan Rome and Eighteenth-Century Europe
ByNatalie Boymel Kampen
View abstract
chapter 10|16 pages
Secluded Vision
Images of Feminine Experience in Nineteenth-Century Europe
ByAnne Higonnet
View abstract
chapter 11|20 pages
“Disagreeably Hidden”
Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair
ByJames M. Saslow
View abstract
chapter 12|24 pages
“L’art Féminin”
The Formation of a Critical Category in Late Nineteenth-Century France
ByTamar Garb
View abstract
chapter 13|14 pages
Morisot’s Wet Nurse
The Construction of Work and Leisure in Impressionist Painting
ByLinda Nochlin
View abstract
chapter 14|24 pages
Modernity and the Spaces of Femininity
ByGriselda Pollock
View abstract
chapter 15|26 pages
Edgar Degas and French Feminism, ca. 1880
“The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited
ByNorma Broude
View abstract
chapter 16|18 pages
Renoir and the Natural Woman
ByTamar Garb
View abstract
chapter 17|18 pages
Going Native
Paul Gauguin and the Invention of Primitivist Modernism
ByAbigail Solomon-Godeau
View abstract
chapter 18|16 pages
Gauguin’s Tahitian Body
ByPeter Brooks
View abstract
chapter 19|12 pages
The MoMA’s Hot Mamas
ByCarol Duncan
View abstract
chapter 20|22 pages
Constructing Myths and Ideologies in Matisse’s Odalisques
ByMarilynn Lincoln Board
View abstract
chapter 21|16 pages
Ladies Shot and Painted
Female Embodiment in Surrealist Art
ByMary Ann Caws
View abstract
chapter 22|12 pages
Culture, Politics, and Identity in the Paintings of Frida Kahlo
ByJanice Helland
View abstract
chapter 23|16 pages
Egalitarian Vision, Gendered Experience
Women Printmakers and the WPA/FAP Graphic Arts Project
ByHelen Langa
View abstract
chapter 24|12 pages
Lee Krasner as L.K.
ByAnne M. Wagner
View abstract
chapter 25|14 pages
Georgia O’Keeffe and Feminism
A Problem of Position
ByBarbara Buhler Lynes
View abstract
chapter 26|16 pages
Judy Chicago’s Dinner Party
A Personal Vision of Women’s History
ByJosephine Withers
View abstract
chapter 27|8 pages
Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists
Faith Ringgold’s Observations on the 1960s in America
ByLowery S. Sims
View abstract
chapter 28|12 pages
Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold
ByFreida High W. Tesfagiorgis
View abstract
chapter 29|17 pages
The Discourse of Others
Feminists and Postmodernism
ByCraig Owens
View abstract
ABOUT THIS BOOK
ABOUT THIS BOOK

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

TABLE OF CONTENTS
chapter |25 pages
Introduction: The Expanding Discourse
ByNorma Broude, Mary D. Garrard
View abstract
chapter 1|12 pages
The Virgin’s One Bare Breast
Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture
ByMargaret R. Miles
View abstract
chapter 2|20 pages
Women in Frames
The Gaze, the Eye, the Profile in Renaissance Portraiture
ByPatricia Simons
View abstract
chapter 3|28 pages
Leonardo Da Vinci
Female Portraits, Female Nature
ByMary D. Garrard
View abstract
chapter 4|14 pages
The Taming of the Blue
Writing Out Color in Italian Renaissance Theory
ByPatricia L. Reilly
View abstract
chapter 5|10 pages
Botticelli’s Primavera
A Lesson for the Bride
ByLilian Zirpolo
View abstract
chapter 6|16 pages
Titian’s Sacred and Profane Love and Marriage
ByRona Goffen
View abstract
chapter 7|12 pages
The Loggia Dei Lanzi
A Showcase of Female Subjugation
ByYael Even
View abstract
chapter 8|22 pages
The Erotics of Absolutism
Rubens and the Mystification of Sexual Violence
ByMargaret D. Carroll
View abstract
chapter 9|10 pages
The Muted Other
Gender and Morality in Augustan Rome and Eighteenth-Century Europe
ByNatalie Boymel Kampen
View abstract
chapter 10|16 pages
Secluded Vision
Images of Feminine Experience in Nineteenth-Century Europe
ByAnne Higonnet
View abstract
chapter 11|20 pages
“Disagreeably Hidden”
Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair
ByJames M. Saslow
View abstract
chapter 12|24 pages
“L’art Féminin”
The Formation of a Critical Category in Late Nineteenth-Century France
ByTamar Garb
View abstract
chapter 13|14 pages
Morisot’s Wet Nurse
The Construction of Work and Leisure in Impressionist Painting
ByLinda Nochlin
View abstract
chapter 14|24 pages
Modernity and the Spaces of Femininity
ByGriselda Pollock
View abstract
chapter 15|26 pages
Edgar Degas and French Feminism, ca. 1880
“The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited
ByNorma Broude
View abstract
chapter 16|18 pages
Renoir and the Natural Woman
ByTamar Garb
View abstract
chapter 17|18 pages
Going Native
Paul Gauguin and the Invention of Primitivist Modernism
ByAbigail Solomon-Godeau
View abstract
chapter 18|16 pages
Gauguin’s Tahitian Body
ByPeter Brooks
View abstract
chapter 19|12 pages
The MoMA’s Hot Mamas
ByCarol Duncan
View abstract
chapter 20|22 pages
Constructing Myths and Ideologies in Matisse’s Odalisques
ByMarilynn Lincoln Board
View abstract
chapter 21|16 pages
Ladies Shot and Painted
Female Embodiment in Surrealist Art
ByMary Ann Caws
View abstract
chapter 22|12 pages
Culture, Politics, and Identity in the Paintings of Frida Kahlo
ByJanice Helland
View abstract
chapter 23|16 pages
Egalitarian Vision, Gendered Experience
Women Printmakers and the WPA/FAP Graphic Arts Project
ByHelen Langa
View abstract
chapter 24|12 pages
Lee Krasner as L.K.
ByAnne M. Wagner
View abstract
chapter 25|14 pages
Georgia O’Keeffe and Feminism
A Problem of Position
ByBarbara Buhler Lynes
View abstract
chapter 26|16 pages
Judy Chicago’s Dinner Party
A Personal Vision of Women’s History
ByJosephine Withers
View abstract
chapter 27|8 pages
Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists
Faith Ringgold’s Observations on the 1960s in America
ByLowery S. Sims
View abstract
chapter 28|12 pages
Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold
ByFreida High W. Tesfagiorgis
View abstract
chapter 29|17 pages
The Discourse of Others
Feminists and Postmodernism
ByCraig Owens
View abstract

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.

TABLE OF CONTENTS
chapter |25 pages
Introduction: The Expanding Discourse
ByNorma Broude, Mary D. Garrard
View abstract
chapter 1|12 pages
The Virgin’s One Bare Breast
Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture
ByMargaret R. Miles
View abstract
chapter 2|20 pages
Women in Frames
The Gaze, the Eye, the Profile in Renaissance Portraiture
ByPatricia Simons
View abstract
chapter 3|28 pages
Leonardo Da Vinci
Female Portraits, Female Nature
ByMary D. Garrard
View abstract
chapter 4|14 pages
The Taming of the Blue
Writing Out Color in Italian Renaissance Theory
ByPatricia L. Reilly
View abstract
chapter 5|10 pages
Botticelli’s Primavera
A Lesson for the Bride
ByLilian Zirpolo
View abstract
chapter 6|16 pages
Titian’s Sacred and Profane Love and Marriage
ByRona Goffen
View abstract
chapter 7|12 pages
The Loggia Dei Lanzi
A Showcase of Female Subjugation
ByYael Even
View abstract
chapter 8|22 pages
The Erotics of Absolutism
Rubens and the Mystification of Sexual Violence
ByMargaret D. Carroll
View abstract
chapter 9|10 pages
The Muted Other
Gender and Morality in Augustan Rome and Eighteenth-Century Europe
ByNatalie Boymel Kampen
View abstract
chapter 10|16 pages
Secluded Vision
Images of Feminine Experience in Nineteenth-Century Europe
ByAnne Higonnet
View abstract
chapter 11|20 pages
“Disagreeably Hidden”
Construction and Constriction of the Lesbian Body in Rosa Bonheur’s Horse Fair
ByJames M. Saslow
View abstract
chapter 12|24 pages
“L’art Féminin”
The Formation of a Critical Category in Late Nineteenth-Century France
ByTamar Garb
View abstract
chapter 13|14 pages
Morisot’s Wet Nurse
The Construction of Work and Leisure in Impressionist Painting
ByLinda Nochlin
View abstract
chapter 14|24 pages
Modernity and the Spaces of Femininity
ByGriselda Pollock
View abstract
chapter 15|26 pages
Edgar Degas and French Feminism, ca. 1880
“The Young Spartans,” the Brothel Monotypes, and the Bathers Revisited
ByNorma Broude
View abstract
chapter 16|18 pages
Renoir and the Natural Woman
ByTamar Garb
View abstract
chapter 17|18 pages
Going Native
Paul Gauguin and the Invention of Primitivist Modernism
ByAbigail Solomon-Godeau
View abstract
chapter 18|16 pages
Gauguin’s Tahitian Body
ByPeter Brooks
View abstract
chapter 19|12 pages
The MoMA’s Hot Mamas
ByCarol Duncan
View abstract
chapter 20|22 pages
Constructing Myths and Ideologies in Matisse’s Odalisques
ByMarilynn Lincoln Board
View abstract
chapter 21|16 pages
Ladies Shot and Painted
Female Embodiment in Surrealist Art
ByMary Ann Caws
View abstract
chapter 22|12 pages
Culture, Politics, and Identity in the Paintings of Frida Kahlo
ByJanice Helland
View abstract
chapter 23|16 pages
Egalitarian Vision, Gendered Experience
Women Printmakers and the WPA/FAP Graphic Arts Project
ByHelen Langa
View abstract
chapter 24|12 pages
Lee Krasner as L.K.
ByAnne M. Wagner
View abstract
chapter 25|14 pages
Georgia O’Keeffe and Feminism
A Problem of Position
ByBarbara Buhler Lynes
View abstract
chapter 26|16 pages
Judy Chicago’s Dinner Party
A Personal Vision of Women’s History
ByJosephine Withers
View abstract
chapter 27|8 pages
Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists
Faith Ringgold’s Observations on the 1960s in America
ByLowery S. Sims
View abstract
chapter 28|12 pages
Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold
ByFreida High W. Tesfagiorgis
View abstract
chapter 29|17 pages
The Discourse of Others
Feminists and Postmodernism
ByCraig Owens
View abstract
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