ABSTRACT

This collection of specially commissioned essays offers a wide array of new psychoanalytic approaches impacted by Lacanian theory, queer studies, post-colonial studies, feminism, and deconstruction in the domains of film and literature. We have witnessed a remarkable return to psychoanalysis in those fields, fields from which it had been excluded or discredited for a while. This has changed recently, and we need to understand why.

The fourteen essays make use a freshly minted psychoanalytic concepts to read diverse texts, films and social practices. The distinguished authors gathered here, an international group of scholars coming from Japan, China, Korea, India, Belgium, Greece, France, Australia, and the USA, are all cognizant of the advances of theory under the form of deconstruction, feminism, post-colonial studies and trauma studies.

These essays take into account the latest developments in Lacanian theory and never bracket off subjective agency when dealing with literature or film. The authors make sense of changes brought to psychoanalytical theory by redefinitions of the Oedipus complex, reconsiderations of the death drive, applications of Lacan’s symptom and the concept of the Real, reassessments of the links between affect and trauma, insights into the resilience of Romantic excess and jouissance, awareness of the role of transference in classical and modernist texts, and pedagogical techniques aimed at teaching difficult texts, all the while testifying to the influence on Lacanian theory of thinkers like Maurice Blanchot, Roland Barthes, Melanie Klein, Didier Anzieu, Jacques Derrida, Judith Butler, Gilles Deleuze, Alain Badiou, and Slavoj Zizek.

Chapter 3 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/e/9781003002727

chapter |17 pages

Editor’s Introduction

“Ampersands”

part I|126 pages

Psychoanalysis, Text, and the Constitution of Subjectivity

chapter 1|14 pages

Freud’s Early Case Studies

The Temptation of the Plot

chapter 2|20 pages

Freeing Impersonality

The Objective Subject in Psychoanalysis and Sense & Sensibility

chapter 3|15 pages

Lacan’s Romanticism

chapter 5|15 pages

Queering the Death Drive

Counter/Transferential Language in Joseph Conrad

chapter 6|24 pages

Didier Anzieu Now

Stretching the Shared Skin of the Work of Art 1

part II|111 pages

Reopening Narratives with Revised Concepts

chapter 8|17 pages

Deconstructing the Oedipus Complex

Kenzaburo Ôe and Haruki Murakami on the Way to a Theory of Global Culture

chapter 9|15 pages

Phantom Thread

Threading Between Dresses and Debts

chapter 11|18 pages

Cyber-Ego Sum

Autofiction versus Psychoanalysis

chapter 12|16 pages

Literature and the Social Bond

chapter 13|16 pages

How to Mourn the Present

Fiction, Memory, and Mourning in Paul Auster’s Man in the Dark and John Banville’s Ancient Light

chapter 14|13 pages

Teaching Degree Zero

Impossible Texts Inventing Subjectivities in the Classroom