ABSTRACT

The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field’s key historical, critical and theoretical issues. It is organised into three accessible sections, Perspectives, Precedents and Presents, which approach historical aspects, current issues, and the future of circus performance.

The chapters, grouped together into 13 theme-based sub-sections, provide a clear entry point into the field and emphasise the diversity of approaches available to students and scholars of circus studies. Classic accounts of performance, including pieces by Philippe Petit and Friedrich Nietzsche, are included alongside more recent scholarship in the field.

Edited by two scholars whose work is strongly connected to the dynamic world of performance, The Routledge Circus Studies Reader is an essential teaching and study resource for the emerging discipline of circus studies. It also provides a stimulating introduction to the field for lovers of circus.

chapter |11 pages

Introduction

Circus perspectives, precedents and presents

part 1|315 pages

Perspectives

section |66 pages

Aesthetics

chapter Chapter 1|22 pages

Aesthetics

chapter Chapter 2|13 pages

The staging of actions

Heroes, antiheroes and animal actors

chapter Chapter 3|15 pages

An epic of new circus

chapter Chapter 4|14 pages

The man in the red coat

Management in the circus

section |35 pages

The clown

chapter Chapter 5|26 pages

Clowns and clown play

chapter Chapter 6|9 pages

Diminutive catastrophe

Clown’s play

section |55 pages

Cross-arts

chapter Chapter 7|19 pages

Circus music

The of the ear

chapter 8|17 pages

Art and androgyny

The aerialist

chapter Chapter 9|17 pages

When the future was now

Archaos within a theatre tradition

section |36 pages

Gender and sexuality

chapter 10|25 pages

Respectable female nudity

chapter Chapter 11|9 pages

A queer circus

Amok in New York

section |27 pages

Race

chapter Chapter 12|25 pages

Celebrated, then implied but finally denied

The erosion of Aboriginal identity in Australian circus, 1850s to 1950s

section |42 pages

Sideshows

chapter Chapter 13|32 pages

Freaks of culture

Institutions, publics and the subjects of ethnographic knowledge

chapter Chapter 14|8 pages

The lim Rose Circus Side Show

Representing the postmodern body in pain

section |20 pages

Child performers

chapter Chapter 15|18 pages

Sensational imbalance

The child acrobat and the mid-Victorians

section |31 pages

Spectators

chapter Chapter 16|14 pages

Ecstasy and visceral flesh in motion

chapter Chapter 17|15 pages

Marginal body

The British acrobat in reference to sport

part II|168 pages

Precedents

section |74 pages

Origins

chapter Chapter 18|18 pages

The circus and nature in late Georgian England

chapter Chapter 19|10 pages

The American circus

chapter Chapter 20|18 pages

P.T. Barnum

The legend and the man 1

chapter Chapter 21|9 pages

Notes on the Mexican–American circus

chapter Chapter 22|17 pages

The circus and modernity

A commitment to ‘the newer’ and ‘the newest’

section |50 pages

Politics

chapter Chapter 23|25 pages

Bending the body for China

The uses of acrobatics in Sino-US diplomacy during the Cold War

chapter Chapter 24|4 pages

When pigs could fly and bears could dance

A peculiar institution

chapter Chapter 25|19 pages

A contemporary history of circus arts in Buenos Aires, Argentina

The post-dictatorial resurgence and revaluation of circus as a popular art

section |14 pages

Physical exceptionalism

chapter Chapter 26|6 pages

To reach the clouds

My high-wire walk between the Twin Towers1

chapter Chapter 27|6 pages

Thus Spoke Zarathustra

section |30 pages

Animal performers

chapter Chapter 28|20 pages

Why circuses are unsuited to elephants

chapter Chapter 29|8 pages

View from the big top

Why elephants belong in North American circuses

part III|75 pages

Presents

chapter Chapter 30|9 pages

Female circus performers and art

The shift to creative art forms and its implications

chapter Chapter 31|20 pages

The resilient body in social circus

Father Jesus Silva, Boris Cyrulnik and Peter A. Levine

chapter Chapter 33|7 pages

The du Soleil in Las Vegas

An American strip-tease 1

chapter Chapter 34|7 pages

Contemporary Nordic circus

Introduction to the art form

chapter Chapter 35|12 pages

Contemporary circus research in Québec

Building and negotiating an emerging interdisciplinary field 1