ABSTRACT

This interdisciplinary collection of essays focuses on critical and theoretical responses to the apocalypse of the late twentieth- and early twenty-first-century cultural production. Examining the ways in which apocalyptic discourses have had an impact on how we read the world’s globalised space, the traumatic burden of history, and the mutual relationship between language and eschatological belief, fifteen original essays by a group of internationally established and emerging critics reflect on the apocalypse, its past tradition, pervasive present and future legacy.

The collection seeks to offer a new reading of the apocalypse, understood as a complex – and, frequently, paradoxical – paradigm of (contemporary) Western culture. The majority of published collections on the subject have been published prior to the year 2000 and, in their majority of cases, locate the apocalypse in the future and envision it as something imminent. This collection offers a post-millennial perspective that perceives "the end" as immanent and, simultaneously, rooted in the past tradition.

chapter |13 pages

Introduction

After the End?

part I|56 pages

Theory

chapter 1|14 pages

Apocalyptic Security

Biopower and the Changing Skin of Historic Germination

chapter 2|13 pages

To Have Done with the End-Times

Turning the Apocalypse into a Nonevent

chapter 3|13 pages

Are Ruses Necessary to Evade Catastrophe?

On Slavoj Žižek's Endorsement of Jean-Pierre Dupuy's “Faire comme si le pire était inévitable”

chapter 4|14 pages

The Apocalyptic Sublime

Then and Now

part II|59 pages

Space, Place, and Environment

chapter 5|15 pages

The Postapocalyptic Sublime

A Gothic Response to Contemporary Environmental Crisis in John Burnside's Glister (2008)

chapter 6|16 pages

Under the Westway and Up in the Air

New Brutalist Aftermath Aesthetics in J.G. Ballard's Concrete Island (1974) and High-Rise (1975)

chapter 7|13 pages

Escape / Landscape / Genderscape

No Futures for Women 1

chapter 8|13 pages

“Soul Delay”

Trauma and Globalization in William Gibson's Pattern Recognition (2003)

part III|59 pages

Time and History

chapter 9|15 pages

The Not So Cozy Catastrophe

Reimagining the British Disaster Novel in J.G. Ballard's The Drowned World (1962) and Brian Aldiss's Barefoot in the Head (1969)

chapter 11|13 pages

“Billows of Ash”

Cormac McCarthy's Road Back to Auschwitz

chapter 12|15 pages

The Ambassadors of Nil

Notes on the Zombie Apocalypse

part IV|43 pages

Language and the End of the World

chapter 14|14 pages

“What Are All Those Things He Once Thought He Knew, and Where Have They Gone?”

The End of the Wor(l)d in Margaret Atwood's Oryx and Crake (2003)

chapter 15|14 pages

Zpocalypse