ABSTRACT

It's now over twenty years since punk pogo-ed its way into our consciousness. Punk Rock So What?brings together a new generation of academics, writers and journalists to provide the first comprehensive assessment of punk and its place in popular music history, culture and myth. The contributors, who include Suzanne Moore, Lucy OBrien, Andy Medhurst, Mark Sinker and Paul Cobley, challenge standard views of punk prevalent since the 1970s. They:
* re-situate punk in its historical context, analysing the possible origins of punk in the New York art scene and Manchester clubs as well as in Malcolm McClarens brain
* question whether punk deserves its reputation as an anti-fascist, anti-sexist movement which opened up opportunities for women musicians and fans alike.
* trace punks long-lasting influence on comics, literature, art and cinema as well as music and fashion, from films such as Sid and Nancy and The Great Rock n Roll Swindle to work by contemporary artists such as Gavin Turk and Sarah Lucas.
* discuss the role played by such key figures as Johnny Rotten, Richard Hell, Malcolm McClaren, Mark E. Smith and Viv Albertine.
Punk Rock Revisited kicks over the statues of many established beliefs about the meaning of punk, concluding that, if anything, punk was more culturally significant than anybody has yet suggested, but perhaps for different reasons.

chapter |14 pages

INTRODUCTION

part |2 pages

Part I SHOCK WAVES AND RIPPLE EFFECTS

chapter 1|14 pages

TOO LOW TO BE LOW

Art pop and the Sex Pistols

chapter 2|18 pages

Misfit lit: ‘Punk writing’, and representations of punk

‘Punk writing’, and representations of punk through writing and publishing

chapter 3|19 pages

‘I’m so bored with the USA’

The punk in cyberpunk

chapter 4|13 pages

Tinseltown rebellion: Punk, transgression and a

Punk, transgression and conversation with Richard Baylor

chapter 5|19 pages

‘Ever get the feeling you’ve been cheated?’: Anarchy and

Anarchy and control in the Great Rock ’n’ Roll Swindle

chapter 6|20 pages

‘I like Hate and I hate everything else’ : The influence of

The influence of punk on comics

chapter 7|21 pages

Concrete, so as to self-destruct: The etiquette of punk, its

The etiquette of punk, its habits, rules, values and dilemmas

part |2 pages

Part II EXPERIENCE, MEMORY AND HISTORIOGRAPHY

chapter 8|11 pages

Distress to impress?: Local punk fashion and commodity

Local punk fashion and commodity exchange

chapter 9|16 pages

‘Chewing out a rhythm on my bubble-gum’: The teenage

The teenage aesthetic and genealogies of American punk

chapter 10|16 pages

‘LEAVE THE CAPITOL’

chapter 11|13 pages

THE WOMAN PUNK MADE ME

chapter 12|20 pages

‘I WON’T LET THAT DAGO BY’

Rethinking punk and racism

chapter 13|13 pages

WHAT DID I GET?

Punk, memory and autobiography

chapter 14|5 pages

IS THAT ALL THERE IS?