ABSTRACT

This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain. For this reason, the volume includes contributions by a range of international scholars and takes the concept of place as a unifying paradigm. As a way of overcoming borders that are both physical and metaphorical, it seeks to reflect the diversity and range of current scholarship in Chicana/o studies while simultaneously highlighting the diverse and constantly evolving nature of Chicana/o identities and cultures.

Various critical and theoretical approaches are evident, from eco-criticism and autoethnography in the first section, to the role of fiction and visual art in exposing injustice in section two, to the discussion of transnational and transcultural exchange with reference to issues as diverse as the teaching of Chicana/o studies in Russia and the relevance of Anzaldúa’s writings to post 9/11 U.S. society.

chapter |5 pages

Introduction

part I|41 pages

Critical Paradigms

chapter 1|13 pages

From Chapbooks to Chica Lit

U.S. Latina Writers and the New Literary Identity

chapter 2|11 pages

Healing Family History/(Her) Story

Writing and Gardening in Pat Mora's House of Houses

chapter 3|13 pages

Transculturation, Memory, and History

Mary Helen Ponce's Hoyt Street: An Autobiography

part II|80 pages

From the Regional to the Global

chapter 4|17 pages

My Super Sweet Fifteen

The Internationalisation of Quinceañeras in Literature and Film

chapter 5|18 pages

American Studies in Russia

Learning Chicana/o Literature in Chita (Siberia)

chapter 6|21 pages

Moving Subjects

The Politics of Death in Narratives of the Juárez Murders

chapter 7|20 pages

Origins and Evolution of Homies as Hip Rasquache Cultural Artifacts

Taking the Homies Out of the Barrio or the Barrio Out of the Homies

part III|65 pages

Visual Culture

chapter 8|17 pages

The Construction of Justice in Chicana/o Art

From Recognition to Distribution and Counter-Hegemony

chapter 9|18 pages

Barbed Wire Iconography and Aesthetic Activism

The Borderlands, Mexican Immigration, and Chicana/o Art

chapter 10|22 pages

Virgen Transatlantic

Religious Iconography in Irish and Chicana/o Art

chapter |4 pages

Conclusion