ABSTRACT

What does it mean to read from elsewhere? Women Writers in Postsocialist China introduces readers to a range and variety of contemporary Chinese women’s writing, which has seen phenomenal growth in recent years. The book addresses the different ways women’s issues are understood in China and the West, attending to the processes of translation, adaptation, and the grafting of new ideas with existing Chinese understandings of gender, feminism, subjectivity, consumerism and (post) modernism. By focusing on women’s autobiographical, biographical, fictional and historical writing, the book engages in a transcultural flow of ideas between western and indigenous Chinese feminisms. Taking account of the accretions of social, cultural, geographic, literary, economic, and political movements and trends, cultural formations and ways of thinking, it asks how the texts and the concepts they negotiate might be understood in the social and cultural spaces within China and how they might be interpreted differently elsewhere in the global locations in which they circulate. The book argues that women-centred writing in China has a direct bearing on global feminist theory and practice. This critical study of selected genres and writers highlights the shifts in feminist perspectives within contemporary local and global cultural landscapes.

chapter 1|17 pages

Introduction

chapter 2|19 pages

Translations of the self

Hong Ying's Daughter of the River and Summer of Betrayal 1

chapter 3|16 pages

Narrative, trauma and memory

Chen Ran's A Private Life

chapter 4|24 pages

Silence and the silenced

Literary renderings of rural women's lives in and beyond China — Lin Bai, Sheng Keyi and Xinran

chapter 5|25 pages

‘Beauty writers', consumer culture and global China

Wei Hui's Shanghai Baby, Mian Mian's Candy and the internet generation

chapter 6|16 pages

Revisiting the twentieth century

Zhang Yihe's historical memoirs and Chen Danyan's Shanghai trilogy

chapter 7|13 pages

Reconstructing the past

Zhao Mei's biography of the Tang Dynasty Emperor, Woman: Wu Zetian 1

chapter 8|14 pages

Epic re-visionings

Xu Xiaobin's fabulist tale Feathered Serpent

chapter 9|11 pages

Conclusion: new desires, new identities

Reorienting literary and gender relations in and beyond China