ABSTRACT

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

chapter |9 pages

“What's in a Name?”

Collaborating with Shakespeare at the Millennium

part I|76 pages

Biography, Adaptation, and Fictionalization

chapter 1|9 pages

In Love with Shakespeare

chapter 3|10 pages

Bravo, Mr. William Shakespeare!

chapter 4|5 pages

“This Is Young William”

Shakespeare and the Cumulative Tale

chapter 5|12 pages

“All the Colours of the Wind”

Shakespeare and the Primary Student

chapter 6|11 pages

Nutshells and Infinite Space

Stages of Adaptation

chapter 7|7 pages

Puck's Gift

chapter 8|7 pages

Shakespeare Speaks

Getting the Language Right

part II|103 pages

Interpretation and Critique

chapter 10|9 pages

Staging Shakespeare's Children

chapter 11|9 pages

Canning the Classic

Race and Ethnicity in the Lambs' Tales from Shakespeare

chapter 12|13 pages

Alice Reads Shakespeare

Charles Dodgson and the Girl's Shakespeare Project

chapter 13|9 pages

Strutting and Fretting on the Page

Representing Shakespeare's Theater in Illustrated Books

chapter 14|9 pages

Mediating the Supernatural in Adaptations of Shakespeare for Children

Three Unique Productions through Text and Illustration

chapter 15|9 pages

“The Play's the Thing”

Genre and Adaptations of Shakespeare for Children

chapter 16|6 pages

Promoting the Original

Perspectives on Balancing Authenticity and Creativity in Adaptations of The Tempest

chapter 17|9 pages

First One I and Then the Other

Identity and Intertextuality in Shakespeare's Caliban and Covington's Lizard

chapter 19|9 pages

Playing with Shakespeare

Making Worlds from Words

chapter 20|10 pages

Descending Shakespeare

Toward a Theory of Adaptation for Children

part III|107 pages

Pedagogy and Performance

chapter 21|8 pages

The Bard for Babies

Shakespeare, Bettelheim, and the Reggio Emilia Model of Early Childhood Education

chapter 23|10 pages

Shakespeare Steps Out

The Primacy of Language in Inner-City Classrooms

chapter 24|14 pages

“Your Play Needs No Excuse”

Shakespeare and Language Development in Children

chapter 25|8 pages

Players, Playgrounds, and Grounds for Play

Play v. Theater v. Realism in a Touring Children's Version of King Lear

chapter 26|13 pages

Presenting Shakespeare's Life and Times for Young People

An Outline Using Midsummer Night's Dream and Susan Cooper's King of Shadows

chapter 27|8 pages

Understanding Texts and Contexts

Teaching Shakespeare to Future High School Teachers

chapter 28|9 pages

Redistributing the Riches

Shakespearean Adaptation in Moss Gown and Mama Day

chapter 29|10 pages

Learning by Playing

Performance Games and the Teaching of Shakespeare

chapter 31|9 pages

Performing Pedagogy