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gether in the real world. She has found her example appeal to the intelligence of her readers. English writ-in Goethe's re-interpretati i on of the Pandora myth, ing has so far brought forth no authoress comparable where Pandora is the preserver of hope and symbol to Morgner. The work of the sexually explicit Erica of humankind' ' s ability to love instead of hate. Jong, for example, shows nothing of Morgner's insights Amand daa thus offers a project tii on into a possible fu-and writer's talent. The John Barth of Giles Goatboy ture . . Morgner called it "only the first half f of the vic-and Sot t we eeedd Factor or the Thomas Pynchon of ftt ory" and promi i sed, , iin her cl l osi i ng words i in t t he book , , Gravity's Rainbow approach Morgner's ability to com-t t o suppl lyt the r r est tiintt he yet t --unnamed t t hi irrd vo l lume bine outrageous fantasy, the grotesque, humor, and of her Beat t ri i z/ l Laura t tr iillooggyy . criticism, yet they, too, lack the scope of her vision In 1984, as part of her only trip to the United and, more significantly, , the revolutionary potential of f States, Morgner read at the annual Women in Ger-her woman's perspective. man Conference and various universities from her working introduction to Book III and a prepublished
DOI link for gether in the real world. She has found her example appeal to the intelligence of her readers. English writ-in Goethe's re-interpretati i on of the Pandora myth, ing has so far brought forth no authoress comparable where Pandora is the preserver of hope and symbol to Morgner. The work of the sexually explicit Erica of humankind' ' s ability to love instead of hate. Jong, for example, shows nothing of Morgner's insights Amand daa thus offers a project tii on into a possible fu-and writer's talent. The John Barth of Giles Goatboy ture . . Morgner called it "only the first half f of the vic-and Sot t we eeedd Factor or the Thomas Pynchon of ftt ory" and promi i sed, , iin her cl l osi i ng words i in t t he book , , Gravity's Rainbow approach Morgner's ability to com-t t o suppl lyt the r r est tiintt he yet t --unnamed t t hi irrd vo l lume bine outrageous fantasy, the grotesque, humor, and of her Beat t ri i z/ l Laura t tr iillooggyy . criticism, yet they, too, lack the scope of her vision In 1984, as part of her only trip to the United and, more significantly, , the revolutionary potential of f States, Morgner read at the annual Women in Ger-her woman's perspective. man Conference and various universities from her working introduction to Book III and a prepublished
gether in the real world. She has found her example appeal to the intelligence of her readers. English writ-in Goethe's re-interpretati i on of the Pandora myth, ing has so far brought forth no authoress comparable where Pandora is the preserver of hope and symbol to Morgner. The work of the sexually explicit Erica of humankind' ' s ability to love instead of hate. Jong, for example, shows nothing of Morgner's insights Amand daa thus offers a project tii on into a possible fu-and writer's talent. The John Barth of Giles Goatboy ture . . Morgner called it "only the first half f of the vic-and Sot t we eeedd Factor or the Thomas Pynchon of ftt ory" and promi i sed, , iin her cl l osi i ng words i in t t he book , , Gravity's Rainbow approach Morgner's ability to com-t t o suppl lyt the r r est tiintt he yet t --unnamed t t hi irrd vo l lume bine outrageous fantasy, the grotesque, humor, and of her Beat t ri i z/ l Laura t tr iillooggyy . criticism, yet they, too, lack the scope of her vision In 1984, as part of her only trip to the United and, more significantly, , the revolutionary potential of f States, Morgner read at the annual Women in Ger-her woman's perspective. man Conference and various universities from her working introduction to Book III and a prepublished
ABSTRACT
gether in the real world. She has found her example in Goethe's re-interpretation of the Pandora myth, where Pandora is the preserver of hope and symbol of humankind's ability to love instead of hate. Amanda thus offers a projection into a possible future. Morgner called it "only the first half of the victory" and promised, in her closing words in the book, to supply the rest in the yet-unnamed third volume of her Beatriz/Laura trilogy