Finally, in her more recent novels, Duras reshapes Night (suivi de Césarée, Les Mains négatives, Aurélia not only her work but her own image in the eyes of Steiner, Aurélia Steiner, Aurélia Steiner) (1979). L'Eté the public. With L'Amant (The Lover: Prix Goncourt 80 (1980). L'Homme assis dans le couloir (1980). Les 1984), she became a popular writer. Part of its suc-Yeux verts ( 1980). Agatha ( 1981). Outside: papiers d'un cess might be due to its advertisement as an "exotic, jour (1981). L'Homme Atlantique (1982). La Maladie erotic autobiographical confession," which hides its de la mort (1982). Savannah Bay (1982). L'Amant deep ambivalence: by her narrative use of "I" and "she," (1984). La Douleur (1985). La Pute de la côte normande Duras pretends to confess but is not committed to (1986). Les Yeux bleus, cheveux noirs (1986). La Vie truthfulness and plays a seductive game of veiling and matérielle: Marguerite Duras parle (1987). Eden Cinéma unveiling her life. (1988). La Pluie d'été (1990). L'Amant de la Chine du Nord (1991). Yann Andrea Steiner (1992). Ecrine (1993). C'est tout (1995).

DOI link for Finally, in her more recent novels, Duras reshapes Night (suivi de Césarée, Les Mains négatives, Aurélia not only her work but her own image in the eyes of Steiner, Aurélia Steiner, Aurélia Steiner) (1979). L'Eté the public. With L'Amant (The Lover: Prix Goncourt 80 (1980). L'Homme assis dans le couloir (1980). Les 1984), she became a popular writer. Part of its suc-Yeux verts ( 1980). Agatha ( 1981). Outside: papiers d'un cess might be due to its advertisement as an "exotic, jour (1981). L'Homme Atlantique (1982). La Maladie erotic autobiographical confession," which hides its de la mort (1982). Savannah Bay (1982). L'Amant deep ambivalence: by her narrative use of "I" and "she," (1984). La Douleur (1985). La Pute de la côte normande Duras pretends to confess but is not committed to (1986). Les Yeux bleus, cheveux noirs (1986). La Vie truthfulness and plays a seductive game of veiling and matérielle: Marguerite Duras parle (1987). Eden Cinéma unveiling her life. (1988). La Pluie d'été (1990). L'Amant de la Chine du Nord (1991). Yann Andrea Steiner (1992). Ecrine (1993). C'est tout (1995).

Finally, in her more recent novels, Duras reshapes Night (suivi de Césarée, Les Mains négatives, Aurélia not only her work but her own image in the eyes of Steiner, Aurélia Steiner, Aurélia Steiner) (1979). L'Eté the public. With L'Amant (The Lover: Prix Goncourt 80 (1980). L'Homme assis dans le couloir (1980). Les 1984), she became a popular writer. Part of its suc-Yeux verts ( 1980). Agatha ( 1981). Outside: papiers d'un cess might be due to its advertisement as an "exotic, jour (1981). L'Homme Atlantique (1982). La Maladie erotic autobiographical confession," which hides its de la mort (1982). Savannah Bay (1982). L'Amant deep ambivalence: by her narrative use of "I" and "she," (1984). La Douleur (1985). La Pute de la côte normande Duras pretends to confess but is not committed to (1986). Les Yeux bleus, cheveux noirs (1986). La Vie truthfulness and plays a seductive game of veiling and matérielle: Marguerite Duras parle (1987). Eden Cinéma unveiling her life. (1988). La Pluie d'été (1990). L'Amant de la Chine du Nord (1991). Yann Andrea Steiner (1992). Ecrine (1993). C'est tout (1995).