Short Stories: As Mascaras do Destino (1931 ; The cient vision to portray some women as victims of their Masks of Destiny). Domino Negro (1931; Black own sentimentality, trapped in an intellectual vacuum Domino). by the conflict between romantic illusion and the Paula T. Irvin harsher realities of daily life with the then-typical male-female relationships. In later works, Espina moves beyond her native region and one-to-one relationships to study the impact of varied social realities on her characters. Her plays were few, concentrating on in- Concha Espina 1869-1955

DOI link for Short Stories: As Mascaras do Destino (1931 ; The cient vision to portray some women as victims of their Masks of Destiny). Domino Negro (1931; Black own sentimentality, trapped in an intellectual vacuum Domino). by the conflict between romantic illusion and the Paula T. Irvin harsher realities of daily life with the then-typical male-female relationships. In later works, Espina moves beyond her native region and one-to-one relationships to study the impact of varied social realities on her characters. Her plays were few, concentrating on in- Concha Espina 1869-1955

Short Stories: As Mascaras do Destino (1931 ; The cient vision to portray some women as victims of their Masks of Destiny). Domino Negro (1931; Black own sentimentality, trapped in an intellectual vacuum Domino). by the conflict between romantic illusion and the Paula T. Irvin harsher realities of daily life with the then-typical male-female relationships. In later works, Espina moves beyond her native region and one-to-one relationships to study the impact of varied social realities on her characters. Her plays were few, concentrating on in- Concha Espina 1869-1955