ABSTRACT

How do you experience a photograph? What do you want a viewer to feel when they look at your image?

Perception and Imaging explains how we see and what we don't see. Relevant psychological principles will help you predict your viewer's emotional reaction to your photographic images, giving you more power, control, and tools for communicating your desired message. Knowing how our minds work helps photographers, graphic designers, videographers, animators, and visual communicators both create and critique sophisticated works of visual art. Benefit from this insight in your work.

Topics covered in this book: gestalt grouping, memory and association, space, time, color, contours, illusion and ambiguity, morphics, personality, subliminals, critiquing photographs, and rhetoric.

chapter 1|1 pages

Selection

chapter |22 pages

GANZFELD

chapter 8|3 pages

French Print

chapter 2|1 pages

Gestalt Grouping

chapter |44 pages

GESTALT

chapter 2|2 pages

Cut-and-Paste Gestalt

chapter 7|2 pages

Similarity: Dissimilarity

chapter 12|2 pages

Tangrams

chapter 14|2 pages

Don’t Be a Square

chapter 18|1 pages

Roman Mosaic Gestalt

chapter 3|13 pages

Memory and Association

chapter 2|2 pages

Visual Memory

chapter 8|2 pages

Potential Signifiers/Props

chapter 12|2 pages

Proximity, Association, Symbol

chapter 15|1 pages

Old Photographs

chapter 4|55 pages

Space, Time, and Color

chapter 12|2 pages

Disappearing/Reappearing

chapter 20|2 pages

Incredible! (Advertisement)

chapter 26|2 pages

Color Blindness

chapter 34|3 pages

Color Connotations

chapter 5|15 pages

Contours

chapter |2 pages

KEY WORDS

chapter 8|3 pages

Computer-Generated Contours

chapter 6|9 pages

Illusion and Ambiguity

chapter |10 pages

TIME (MOVEMENT) ILLUSIONS

chapter 3|6 pages

Finlandia

chapter 15|3 pages

Caged Tiger

chapter 7|9 pages

The Morphics

chapter |4 pages

ANAMORPHIC

chapter |5 pages

KEY WORDS

chapter 8|11 pages

Personality

chapter |8 pages

CHILDREN

chapter 3|5 pages

Projection

chapter 9|7 pages

Subliminals

chapter |18 pages

EMBEDS

chapter 11|2 pages

Archetypes

chapter 14|5 pages

Mona Lisa’s Peripheral Smile

chapter 10|3 pages

Critiquing Photographs

chapter |22 pages

PHOTOGRAPHERS’ COMMENTS

chapter 10|3 pages

Renoir’s Luncheon

chapter 11|31 pages

Rhetoric

chapter |10 pages

DEFINITIONS OF RHETORIC TERMS

chapter 17|2 pages

Graphic Design and Rhetoric

chapter 21|5 pages

Found Metaphor

chapter |16 pages

Appendix A Additional Concepts

chapter 1|2 pages

SELECTION

chapter 3|2 pages

MEMORY AND ASSOCIATION

chapter 10|1 pages

CRITIQUE

chapter |1 pages

Appendix C Ads From the Past

chapter |7 pages

EMBLEMS