ABSTRACT

The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context.

This second edition includes new readings on the early years of rhythm & blues and rock ‘n’ roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga.

With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.

part |2 pages

Section I The 1950s

chapter 4|2 pages

Elvis Presley and “The Craze”

chapter 5|2 pages

“Elvis Defends Low-Down Style”

chapter 8|6 pages

Leiber & Stoller

chapter 9|6 pages

The History of Chicano Rock

part |2 pages

Section II The 1960s

chapter 12|2 pages

The Beatles, Press Conference, 1964

chapter 14|6 pages

George Martin: On the Beatles

chapter 15|6 pages

“Understanding Dylan”

chapter 16|6 pages

Motown: A Whiter Shade of Black

chapter 17|10 pages

James Brown: Soul Brother No. 1

chapter 19|4 pages

Rock and the Counterculture

chapter 20|4 pages

“The Electric Kool-Aid Acid Test”

chapter 22|6 pages

An Interview with Peter Townshend

chapter 23|4 pages

“The Country Boom”

part |2 pages

Section III The 1970s

chapter 26|12 pages

The Art of the Hard Rock Lifestyle

chapter 27|10 pages

“How to be a Rock Critic”

chapter 30|4 pages

Dub and the Sound of Surprise

chapter 31|4 pages

Reflections on Progressive Rock

chapter 34|8 pages

The Subculture of British Punk

chapter 35|8 pages

“The Confessions of a Gay Rocker”

part |2 pages

Section IV The 1980s

chapter 36|6 pages

Punk Goes Hardcore

chapter 37|6 pages

College Rock: “Left of the Dial”

chapter 44|4 pages

Hip Hop Nation

part |2 pages

Section V The 1990s

chapter 47|8 pages

Is As Nasty As They Wanna Be Obscene?

chapter 48|4 pages

"Public Enemy's Bomb Squad"

chapter 49|4 pages

“The Death of Sampling?”

chapter 51|8 pages

“The Problem with Music”

chapter 52|8 pages

“Feminism Amplified”

chapter 55|4 pages

Nü Metal and Woodstock ’99

chapter 56|6 pages

Indie Pop Goes Twee

part |2 pages

Section VI The 2000s

chapter 58|4 pages

Metallica vs. Napster

chapter 59|8 pages

My Radiohead Adventure

chapter 64|6 pages

Defining Emo Urban Dictionary

chapter 66|4 pages

"Get Your Ph.D. in Lady Gaga"

chapter 67|2 pages

“Why no Yes in the Rock Hall?”

chapter |4 pages

Copyright Acknowledgments