ABSTRACT

This collection of essays responds to the recent surge of interest in popular television in Eastern Europe. This is a region where television's transformation has been especially spectacular, shifting from a state-controlled broadcast system delivering national, regional, and heavily filtered Western programming to a deregulated, multi-platform, transnational system delivering predominantly American and Western European entertainment programming. Consequently, the nations of Eastern Europe provide opportunities to examine the complex interactions among economic and funding systems, regulatory policies, globalization, imperialism, popular culture, and cultural identity.This collection will be the first volume to gather the best writing, by scholars across and outside the region, on socialist and postsocialist entertainment television as a medium, technology, and institution.

chapter |9 pages

Introduction

part I|91 pages

Popular Television in Socialist Times

chapter 1|17 pages

Television Entertainment in Socialist Eastern Europe

Between Cold War Politics and Global Developments

chapter 3|18 pages

Television in the Age of (Post-)Communism

The Case Of Romania

chapter 4|16 pages

The Carnival of the Absurd

Stanisław Bareja's Alternatywy 4 and Polish Television in the 1980s

chapter 5|21 pages

An Evening with Friends and Enemies

Political Indoctrination In Popular East German Family Series

part II|72 pages

Commercial Globalization and Eastern European TV

chapter 6|18 pages

From a Socialist Endeavor to a Commercial Enterprise

Children's Television in East-Central Europe

chapter 7|18 pages

Intra-European Media Imperialism

Hungarian Program Imports and the Television Without Frontiers Directive

chapter 8|18 pages

To be Romanian in Post-Communist Romania

Entertainment Television and Patriotism in Popular Discourse

chapter 9|16 pages

Post-Transitional Continuity and Change

Polish Broadcasting Flow and American TV Series

part III|99 pages

Television and National Identity on Europe's Edges

chapter 10|22 pages

Big Brothers and Little Brothers

National Identity in Recent Romanian Adaptations of Global Television Formats

chapter 11|23 pages

The Way We Applauded

How Popular Culture Stimulates Collective Memory of the Socialist Past in Czechoslovakia—The Case of the Television Serial Vyprávěj and its Viewers

chapter 12|19 pages

Coy Utopia

Politics in the First Hungarian TV Soap

chapter 13|18 pages

Why Must Roma Minorities be Always Seen on the Stage and Never in the Audience?

Children's Opinions Of Reality Roma TV 1

chapter 14|15 pages

Racing for the Audience

National Identity, Public TV and the Roma in Post-Socialist Slovenia