ABSTRACT

First Published in 1987. This is the second edition with an additional foreword. The purpose of this book—the first to recount the history of the popular musical stage on Broadway and its intersecting streets—is to tell what the various entertainments were like, how they looked and sounded, who was in them, and why they made people laugh or cry. The values employed in the book are changeable and inconsistent. Sometimes an affable smile is bestowed upon a musical comedy, burlesque, or revue that was really very bad. Sometimes a harsh verdict is brought in against an entertainment that received widespread approval and praise.

part 1|62 pages

1864–1907

chapter I|6 pages

Before The Black Crook

chapter II|6 pages

The Black Crook

chapter III|4 pages

The Death of Pantomine

chapter IV|4 pages

The Bleached Blondes

chapter V|9 pages

Evangeline and Edward E. Rice

chapter VI|3 pages

The Kiralfys

chapter VII|8 pages

Farce-Comedy

chapter VIII|17 pages

Comic Opera: The First Decade

chapter IX|8 pages

Comic Opera: The Second Decade

part 2|11 pages

1908–25

chapter XI|15 pages

The Turn of the Century

chapter XII|6 pages

The Merry Widow and the Ziegfield Follies

chapter XIII|10 pages

Before and During the First World War

chapter XIV|13 pages

A New Era

chapter XV|11 pages

New Art and Old Formulas

chapter XVI|11 pages

The Postwar Revue

chapter XVII|7 pages

Musical Comedy from 1919 to 1925

part 3|62 pages

1925–50

chapter XVIII|8 pages

The Revue Becomes Civilized

chapter XIX|10 pages

Musical Comedy Discovers Contemporary Life

chapter XX|11 pages

The Depression Decade

chapter XXI|13 pages

The New Audience

chapter XXII|19 pages

War and Postwar Years

chapter XXIII|4 pages

The Past, the Present, and the Future

part 4|43 pages

THE 1950s

chapter XXIV|42 pages

The Book Musical Refined

part 5|48 pages

The 1960s

chapter XXV|47 pages

Trouble

part 6|50 pages

The 1970s

chapter XXVI|49 pages

An Uncertain Comeback