ABSTRACT
Economic man as masculine conquering hero is a fantasy of nineteenth-century industrialisation. … His eighteenth-century predecessor was seen as on the whole a feminised, even an effeminate being, still wrestling with his own passions and hysterias and with interior and exterior forces let loose by his fantasies and appetites, and symbolised by such archetypically female goddesses of disorder as Fortune, Luxury, and most recently Credit herself.
