ABSTRACT

In the past decade, there has been a convergence of transdisciplinary thought characterized by geography’s engagement with the humanities, and the humanities’ integration of place and the tools of geography into its studies.

GeoHumanities maps this emerging intellectual terrain with thirty cutting edge contributions from internationally renowned scholars, architects, artists, activists, and scientists. This book explores the humanities’ rapidly expanding engagement with geography, and the multi-methodological inquiries that analyze the meanings of place, and then reconstructs those meanings to provoke new knowledge as well as the possibility of altered political practices. It is no coincidence that the geohumanities are forcefully emerging at a time of immense intellectual and social change. This book focuses on a range of topics to address urgent contemporary imperatives, such as the link between creativity and place; altered practices of spatial literacy; the increasing complexity of visual representation in art, culture, and science and the ubiquitous presence of geospatial technologies in the Information Age.

GeoHumanties is essential reading for students wishing to understand the intellectual trends and forces driving scholarship and research at the intersections of geography and the humanities disciplines. These trends hold far-reaching implications for future work in these disciplines, and for understanding the changes gripping our societies and our globalizing world.

part |4 pages

Introduction

part I|62 pages

Creative Places

chapter 1|10 pages

Creativity and place

chapter 2|7 pages

Experimental geography

An interview with Trevor Paglen, Oakland, CA, February 17, 2009

chapter 3|12 pages

Drive-by Tijuana

chapter 4|8 pages

[Fake] fake estates

Reconsidering Gordon Matta-Clark's Fake Estates

chapter 5|4 pages

The City Formerly Known as Cambridge

A useless map by the Institute for Infinitely Small Things

chapter 6|11 pages

Undisciplined geography

Notes from the field of contemporary art

chapter 7|6 pages

Codex profundo

part II|72 pages

Spatial Literacies

chapter 8|13 pages

“The stratified record upon which we set our feet”

The spatial turn and the multilayering of history, geography, and geology

chapter 9|11 pages

Monument of myth

Finding Robert Moses through geographic fiction

chapter 10|12 pages

Fate and redemption in New Orleans

Or, why geographers should care about narrative form

chapter 11|5 pages

Wordmaps

chapter 12|8 pages

Using early modern maps in literary studies

Views and caveats from London

chapter 13|6 pages

“along Broadway 2009”

chapter 14|13 pages

Thoreau's geopoetics

part III|69 pages

Visual Geographies

chapter 16|8 pages

The space of ambiguity

Sophie Ristelhueber's aerial perspective

chapter 17|11 pages

Counter-geographies in the Sahara

chapter 19|4 pages

The Earth exposed

How geographers use art and science in their exploration of the Earth from space

chapter 20|9 pages

Disorientation guides

Cartography as artistic medium

chapter 22|2 pages

Altered landscapes

part IV|100 pages

Spatial Histories

chapter 23|11 pages

Mapping time

chapter 24|15 pages

Humanities GIS

Place, spatial storytelling, and immersive visualization in the humanities

chapter 25|10 pages

Without limits

Ancient history and GIS

chapter 26|16 pages

History and GIS

Railways, population change, and agricultural development in late nineteenth-century Wales

chapter 27|10 pages

Spatiality and the social web

Resituating authoritative content

chapter 28|10 pages

Teaching race and history with historical GIS

Lessons from mapping the Du Bois Philadelphia Negro

chapter 29|9 pages

Ha‘ahonua

Using GIScience to link Hawaiian and Western knowledge about the environment

chapter |6 pages

Afterword

Historical moments in the rise of the geohumanities