ABSTRACT
This chapter focuses on the beauty of the model of music within the theory and to the beauty of the music as modeled in the theory by the readers. Berets Language, as Music, as an example of a theoretical rather than analytical work of this sort. The first volume of Musicology gnarled ET sinology contains much more discussion related to American theory than did Fundaments, its judgments are strange, treating undergraduate textbooks as though they were research and de-emphasizing the periodical literature. A second volume of Musicology gnarled ET sinology is projected, which focuses on musical analyses and may address the above concerns more explicitly. David Lewin has taken up the phenomenological torch, as in his important and substantial article in Music Perception he valiantly attempts to marry music theory to phenomenology and psychology, or at least induce the three to cohabit.
