ABSTRACT

The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.

Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.

Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.

chapter |30 pages

Expressionist Networks, Cultural Debates, and Artistic Practices

A Conceptual Introduction

part I|158 pages

Central and Eastern Europe and the Baltic States

chapter 1|23 pages

Prague—Brno

Expressionism in Context

chapter 3|19 pages

Expressionism in Hungary

From the Neukunstgruppe to Der Sturm

chapter 6|24 pages

Expressionism in Lithuania

From German Artistic Import to National Art

chapter 7|15 pages

Expressionist Originality in Latvian Art

Between Confirmation and Destruction

part II|84 pages

Scandinavia

chapter 9|15 pages

Expressionism in Denmark

Art and Discourse

chapter 10|16 pages

Expressionisms in Sweden

Anti-Realism, Primitivism, and Politics in Painting and Print

chapter 11|21 pages

Nationalism, Transnationalism, and the Discourses on Expressionism in Finland

From the November Group to Ina Behrsen-Colliander

chapter 12|14 pages

Expressionism in Sámi Art

John Savio’s Woodcuts of the 1920s and 1930s

chapter 13|16 pages

Early Expressionism in Icelandic Art

Jón Stefánsson, Jóhannes Kjarval, and Finnur Jónsson

part III|120 pages

Western Europe

chapter 14|20 pages

Early Engagements

Peripheral British Responses to German Expressionism

chapter 18|17 pages

German Expressionism in Italy

Herwarth Walden’s Der Sturm, the Berlin Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome

part IV|92 pages

Southeastern Europe

chapter 21|13 pages

Expressionism in Slovenia

The Aspects of a Term

chapter 22|18 pages

From Anxiety to Rebellion

Expressionism in Croatian Art

chapter 23|16 pages

On New Art and Its Manifestations

Rethinking Expressionism in the Visual Arts in Belgrade

chapter 24|23 pages

Tokens of Identity

Expressionisms in Romania around the First World War

chapter 25|20 pages

Expressionism in Bulgaria

Critical Reflections in Art Magazines and the Graphic Arts