ABSTRACT
The Korean government’s cultural preservation system, launched in 1962, now guides the transmission of well over 100 traditions, which are designated as ‘Important Intangible Cultural Properties’ (Chungyo Muhyŏng Munhwaje). Many of these traditions would undoubtedly not have continued without the system’s intervention. This paper explores the impact of the system upon the transmission and performance practice of four regional styles of shaman ritual performance, which were formerly performed exclusively by hereditary shamans for paying clients: East Coast Pyŏlshin kut, South Coast Pyŏlshin kut, Kyŏnggi Todang kut, and Chindo Ssikkim kut. It is clear that the system is increasingly responsible for perpetuating these traditions, obliging appointees to teach, learn, and perform in particular ways while providing rewards of money and prestige. Drawing on existing scholarship about the system’s regulations and objectives and interviews with appointees, this study seeks to show how the shamanic arts are currently being adapted to suit a life outside of the healing ritual context.
