ABSTRACT

How do anthropologists write their texts? What is the nature of creativity in the discipline of anthropology? This book follows anthropologists into spaces where words, ideas and arguments take shape and explores the steps in a creative process. In a unique examination of how texts come to be composed, the editors bring together a distinguished group of anthropologists who offer valuable insight into their writing habits. These reflexive glimpses into personal creativity reveal not only the processes by which theory and ethnography come, in particular cases, to be represented on the page but also supply examples that students may follow or adapt.

part |12 pages

Introduction

part |13 pages

Texts with commentaries

part |16 pages

Editors’ introduction

chapter |15 pages

Ten preludes to a preface

part |14 pages

Editors’ introduction

chapter |13 pages

Writing against conclusion

part |17 pages

Editors’ introduction

chapter |16 pages

Composing texts and the composition of uprisings

Notes on writing the postcolonial political

part |16 pages

Editors’ introduction

part |15 pages

Editors’ introduction

chapter |14 pages

Writing Whalsay

Reflections on how, why, and for who anthropologists write

part |18 pages

Editors’ introduction

part |15 pages

Editors’ introduction

chapter |14 pages

Diversifying from within

Diaspora writings in Sweden

part |18 pages

Editors’ introduction

chapter |17 pages

Dialogic aesthetics

Notes and nodes in analogical software coding

part |14 pages

Editors’ introduction

chapter |13 pages

Composing American stiob

part |24 pages

Editors’ introduction

chapter |23 pages

In the workshop

Anthropology in a collaborative zone of inquiry

part |8 pages

Epilogue

chapter |6 pages

Writing the human

Anthropological accounts as generic fragments