ABSTRACT

Organized thematically around the themes of time, space, and place, this collection examines Charlotte Brontë in relationship to her own historical context and to her later critical reception, takes up the literal and metaphorical spaces of her literary output, and sheds light on place as both a psychic and geographical phenomenon in her novels and their adaptations. Foregrounding both a historical and a broad cultural approach, the contributors also follow the evolution of Brontë's literary reputation in essays that place her work in conversation with authors such as Samuel Richardson, Walter Scott, and George Sand and offer insights into the cultural and critical contexts that influenced her status as a canonical writer. Taken together, the essays in this volume reflect the resurgence of popular and scholarly interest in Charlotte Brontë and the robust expansion of Brontë studies that is currently under way.

chapter |9 pages

Introduction

Time, space(s), and place(s) in Charlotte Brontë

part |72 pages

Time

chapter |19 pages

Charlotte Brontë and her critics

The case of Shirley

chapter |17 pages

The 1916 centenary

Charlotte Brontë and first-wave feminism

part |72 pages

Literary space(s)

part |62 pages

Place(s)

chapter |12 pages

The forest dell, the attic, and the moorland

Animal places in Charlotte Brontë's Jane Eyre

chapter |15 pages

“How English is Lucy Snowe”?

Pink frocks and a French clock in Jane Eyre and Villette

chapter |13 pages

Brontëan reveries of spaces and places

Walking in Villette

chapter |20 pages

The “last home”

Death in the works of Charlotte Brontë