ABSTRACT

1992 was a pivotal moment in African American history, with the Rodney King riots providing palpable evidence of racialized police brutality, media stereotyping of African Americans, and institutional discrimination. Following the twentieth anniversary of the Los Angeles uprising, this time period allows reflection on the shifting state of race in America, considering these stark realities as well as the election of the country's first black president, a growing African American middle class, and the black authors and artists significantly contributing to America's cultural output. Divided into six sections, (The African American Criminal in Culture and Media; Slave Voices and Bodies in Poetry and Plays; Representing African American Gender and Sexuality in Pop-Culture and Society; Black Cultural Production in Music and Dance; Obama and the Politics of Race; and Ongoing Realities and the Meaning of 'Blackness') this book is an engaging collection of chapters, varied in critical content and theoretical standpoints, linked by their intellectual stimulation and fascination with African American life, and questioning how and to what extent American culture and society is 'past' race. The chapters are united by an intertwined sense of progression and regression which addresses the diverse dynamics of continuity and change that have defined shifts in the African American experience over the past twenty years.

chapter |16 pages

Introduction

“Out of the Frying Pan and into the Fire”

part I|47 pages

The African American Criminal in Culture and Media

chapter 1|30 pages

“Ill Parallels”

Ice-T, Iceberg Slim, and Portrait of a Pimp

chapter 2|16 pages

From Deflection to Deconstruction

The Transformation of Ishmael Reed's Satire in Juice!

part II|41 pages

Slave Voices and Bodies in Poetry and Plays

chapter 3|16 pages

Of Diggin' and Fakin'

Historiopoiesis in Suzan-Lori Parks and Contemporary African American Culture

chapter 4|24 pages

Poetry in the Archive

Reimagining Amistad in Kevin Young's Ardency

part III|49 pages

Representing African American Gender and Sexuality in Pop-Culture and Society

chapter 5|14 pages

(Dis)Robing Django Unchained

The Black Damsel in Distress as a Progressive Image

chapter 6|18 pages

From Brandy to Beyoncé

Celebrity and the Black Haircare Industry Since 1992

chapter 7|16 pages

The Rebirth of Queer

Exile, Kinship, and Metamorphosis in Dee Rees's Pariah 1

part IV|53 pages

Black Cultural Production in Music and Dance

chapter 8|18 pages

Popularizing African American History and Culture through Dance

The Ethics and Politics of the Artistic Visions of Alvin Ailey and Judith Jamison

chapter 9|16 pages

Breakbeat Syncretism

The Drum Sample in African American Popular Music

chapter 10|18 pages

Twenty-First Century Blues

Treme, Jazz, and the Remaking of New Orleans

part V|55 pages

Obama and the Politics of Race

chapter 11|16 pages

The Wright Liability

Barack Obama's Response to Racial Controversy

chapter 12|16 pages

“Not One of Us”

Barack Obama, the “Paranoid Style,” and the Polarization of American Politics

chapter 13|22 pages

A Double Edged Sword

Ebony Magazine and the 2008 Obama Campaign

part VI|35 pages

Ongoing Realities and the Meaning of “Blackness”

chapter 14|14 pages

Being Afraid of “Post-Blackness”

What's Neoliberalism Got to Do With It? 1

chapter 15|20 pages

Art in the Age of “New Jim Crow”

Delimiting the Scope of Racial Justice and Black Film Production since Rodney King

chapter |6 pages

Afterword