ABSTRACT

Heavy Metal, Gender and Sexuality brings together a collection of original, interdisciplinary, critical essays exploring the negotiated place of gender and sexuality in heavy metal music and its culture. Scholars debate the current state of play concerning masculinities, femininities, queerness, identity aesthetics and monstrosities in an area of music that is sometimes mistakenly treated as exclusively sustaining a masculinist hegemony. The book combines a broad variety of perspectives on the main topic, regarding gender in connection to: the history of the genre; the range of metal subgenres; heavy metal's multidimensional scope (music, lyrics, performance, style, illustrations); men and women; sexualities and various local and global perspectives. Heavy Metal, Gender and Sexuality is a text that opens up the world of heavy metal to reveal that it is a very diverse and ground-breaking stage where gender play is at the centre of its theatricality and sustains its mass appeal.

chapter |8 pages

Heavy metal and gender

An introduction

part |44 pages

Heavy metal culture – a case of limited diversity in gender and sexuality?

part |44 pages

Solo metal masculinities

chapter |16 pages

Living history

The guitar virtuoso and composer Steve Vai

chapter |13 pages

Never say die!

Ozzy Osbourne as a male role model

chapter |13 pages

Placing gender

Alice Cooper's motor city move

part |34 pages

Extended critical metal masculinities

chapter |10 pages

Wild side

Self-styling and the aesthetics of metal in the music videos of Mötley Crüe

chapter |12 pages

‘Body Count's in the House'

Challenging the US working-class metal hero

chapter |14 pages

Interlude

chapter |12 pages

Female metal singers

A panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch

part |80 pages

Dialogues and intermediaries

chapter |19 pages

‘Girls like metal, too!'

Female reader's engagement with the masculinist culture of the tabloid metal magazine

chapter |11 pages

‘This isn't over ‘til I say it's over!’

Narratives of male frustration in deathcore and beyond

chapter |16 pages

Relocating violence in thrash metal lyrics

The Tori Amos cover of Slayer's Raining blood

chapter |16 pages

Liquid identity

Love, heavy metal and the dynamics of gender in anime soundtracks

part |48 pages

Global and local perspectives

chapter |18 pages

Heavy, death and doom metal in Brazil

A study on the creation and maintenance of stylistic boundaries within metal bands