ABSTRACT
This chapter explores the issues raised by Yi's appointment. It describes the various versions of the Ritual for Paebaengi, and differences between transcriptions of the piece made over time. The chapter discusses other candidates for official recognition and examines the impact Yi has made on the song over the years. It concludes by arguing that despite the fact that the primary representative of the art form strongly believes in his freedom to adapt and improvise, other factors such as social, political and technological changes have played such a significant role in the art form's current status that one cannot but applaud his efforts. Yi Un'gwan's version of the Ritual for Paebaengi comprises a theatrical performance by one performer, Yi, and a single accompanying musician, though for recordings more musicians may be employed. A particularly interesting aspect of the Ritual is that it informs us of earlier shaman practice.
