ABSTRACT

How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb

chapter |16 pages

Introduction National Popular Musics

Betwixt and Beyond the Local and Global

part I|46 pages

Positions

part II|128 pages

Locations

chapter 3|16 pages

Voicing Risk

Migration, Transgression and Relocation in Spanish/Moroccan Raï 1

chapter 4|12 pages

Banda, a New Sound from the Barrios of Los Angeles

Transmigration and Transcultural Production

chapter 5|22 pages

Rapping at the Margins

Musical Constructions of Identities in Contemporary France

chapter 6|28 pages

The Quest for National Unity in Uyghur Popular Song

Barren Chickens, Stray Dogs, Fake Immortals and Thieves

chapter 7|17 pages

The Singer and the Mask

Voices of Brazil in Antônio Nóbrega's Madeira Que Cupim Não Rói

chapter 9|12 pages

Those Norwegians

Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music 1

chapter 101|14 pages

Afterword