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Musicians and their Audiences

DOI link for Musicians and their Audiences

Musicians and their Audiences book

Performance, Speech and Mediation

Musicians and their Audiences

DOI link for Musicians and their Audiences

Musicians and their Audiences book

Performance, Speech and Mediation
ByIoannis Tsioulakis, Elina Hytönen-Ng
Edition 1st Edition
First Published 2016
eBook Published 19 December 2016
Pub. location London
Imprint Routledge
DOI https://doi.org/10.4324/9781315597010
Pages 242 pages
eBook ISBN 9781315597010
SubjectsArts
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Tsioulakis, I., Hytönen-Ng, E. (2017). Musicians and their Audiences. London: Routledge, https://doi.org/10.4324/9781315597010

How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.

TABLE OF CONTENTS

chapter |12 pages

Introduction to musicians and their audiences

ByIOANNIS TSIOULAKIS AND ELINA HYTÖNEN-NG

part |2 pages

Part 1 Conceptualising the audience–performer engagement

chapter 1|19 pages

In the body of the audience

ByBRUCE JOHNSON

chapter 2|16 pages

Observing musicians/audience interaction in North Indian classical music performance

ByLAURA LEANTE

chapter 3|17 pages

‘One step above the ornamental greenery’: a survivor’s guide to playing to an audience who does not listen

ByMARY LOUISE O’DONNELL AND JONATHAN HENDERSON

part |2 pages

Part 2 Live relationships: negotiations of performance

chapter 4|17 pages

Contemporary British jazz musicians’ relationship with the audience: renditions of we-relations and intersubjectivity

ByELINA HYTÖNEN-NG

chapter 5|19 pages

Performer-audience interaction in live concerts: ritual or conversation?

ByBARBARA BRADBY

chapter 6|16 pages

Refiguring Maltese heritage through musical performance: audience complicity and the role of venues in Etnika’s stage shows

ByANDREW PACE

part |2 pages

Part 3 Technological mediations: the virtual and the material

chapter 7|11 pages

Authenticity and liveness in digital DJ performance

ByHILLEGONDA C. RIETVELD

chapter 8|17 pages

That’s me in the spotlight: audiences and musicians on screen

ByRICHARD OSBORNE

chapter 9|14 pages

‘Soon you’ll wish they would shut up!’: the digitised political voices of music stars and their audiences in recession Greece

ByIOANNIS TSIOULAKIS

part |2 pages

Part 4 Off-stage discourses and the power of fandom

chapter 10|14 pages

‘Where are the girls of the old brigade?’: Vesta Tilley and her female audience in correspondence

chapter 11|14 pages

From secret fantasies to social systems: re-reading Starlust as a portrait of the dedicated popular music audience

ByMARK DUFFETT
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