ABSTRACT

Teaching Difficult History through Film explores the potential of film to engage young people in controversial or contested histories and how they are represented, ranging from gender and sexuality, to colonialism and slavery. Adding to the education literature of how to teach and learn difficult histories, contributors apply their theoretical and pedagogical expertise and experiences to a variety of historical topics to show the ways that film can create opportunities for challenging conversations in the classroom and attempts to recognize the perspectives of historically marginalized groups.

Chapters focus on translating research into practice by applying theoretical frameworks such as critical race theory, auto-ethnography or cultural studies, as well as more practical pedagogical models with film. Each chapter also includes applicable pedagogical considerations, such as how to help students approach difficult topics, model questions or strategies for engaging students, and examples from the authors’ own experiences in teaching with film or in leading students to develop counter-narratives through filmmaking. These discussions of the real considerations facing classroom teachers and professors are sure to appeal to experienced secondary teachers, pre-service teacher education programs, graduate students, and academic audiences within education, history, and film studies.

Part and chapter discussion guides, full references of the films included in the book, and resources for teachers are available on the book’s companion website www.teachingdifficulthistory.com.

part I|36 pages

Introduction to Teaching Difficult History and Film as Difficult History

chapter 2|20 pages

Difficult History Means Difficult Questions

Using Film to Reveal the Perspective of “The Other” in Difficult History Topics

part II|50 pages

Human Rights, Trauma, and Contemporary Difficult Histories

chapter 4|13 pages

From Seeing to Learn to Learning to See

Films on the Palestinian–Israeli Conflict

chapter 5|17 pages

The Torturers Among Us

History, the Film Industry, and Its Claims to Truth

part III|56 pages

Difficult History, Identity, and Implementation in Curriculum

chapter 6|17 pages

Institutional Roles in Using Film to Teach Difficult History

The Federal Agency for Civic Education and The Lives of Others

chapter 7|19 pages

“I Saw a REAL Indian on TV Last Night!”

Engaging Students in Historical Thinking for Social Justice

part IV|54 pages

Teaching Common but Difficult Histories through Film

chapter 9|15 pages

Hollywood Histories

Examining Contemporary Depictions of Race and American Slavery in Popular Film

chapter 10|18 pages

Classroom as Memory Workspace

The Educational and Empathetic Potentials of 12 Years a Slave and Ask a Slave

chapter 11|19 pages

Teaching Difficult History with Film

Multiple Perspectives on the Holocaust

part V|56 pages

Difficult Histories from the Margins in Curriculum and Teacher Education

chapter 12|20 pages

Questioning “Normal”

Actively Undoing Dis/ability Stereotypes through Teaching a Critical Analysis of Films

chapter 14|16 pages

Finally “Seeing” a Queer Past

The Importance of Film in Teaching lgbtq American History