ABSTRACT

John Armstrong’s 1736 poem The Oeconomy of Love has recently been characterized as ‘hyperbolic masculinity’, an economy of libertinism that derives from the period’s fear of effeminacy. 1 In Conrad Brunstrom’s acute commentary Armstrong ineluctably reveals his pressing knowledge of the constructed and vulnerable nature of gendered identity. For this reason, his ‘defense of masculine health emerges essentially as a paranoid effort, and gender evades his every attempt to secure and delimit its scope’. The failure of Armstrong’s poem, in this account, is ‘part of a larger repeated failure to discipline the body’. 2 Brunstrom’s Armstrong is of a piece with James Sambrook’s bluff, masculine failure, a man whose gendered inadequacies undermine his attempts to succeed as doctor and as writer. 3 The surprise, then, is that out of the evident insecurities of The Oeconomy of Love and the 1744 Art of Preserving Health later writers mould a discourse of sexuality as a path to sublimity through the destruction of fixed identities. Just that model of sexuality that Armstrong tries to repress reappears in writing of the Romantic period within a discourse which stresses continuities between gendered identities. Armstrong’s failure – if it is that – is the means to create a new economy of love.