ABSTRACT

Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts.

Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts:

  • erasure – the history of the presence and absence of female bodies on Asian stages;
  • intervention – the politics of female intervention into patriarchal performance genres;
  • reconstruction – the strategies and methods adopted by women in redefining their performance practice.

Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.

chapter |12 pages

Introduction

part 1|68 pages

Erasure

chapter 1|14 pages

The Woman Thing

Issues and advances for women in Sundanese performance

chapter 2|11 pages

Women in a Man’s World

Gender and power in Japanese noh theatre

chapter 3|13 pages

“Just Like a Woman”

Female impersonation, gender construction and role playing in Begum Barve

chapter 5|15 pages

Stars on the Rise

The jingju actresses in Republican China

part 2|76 pages

Intervention

chapter 6|15 pages

Between Roars and Tears

Towards the female kathakali

chapter 7|13 pages

“Ruined by Several Actresses Who Added Pornographic Elements”

The popularity of emerging actresses in Chinese jingju (Beijing opera) and the censorship of two plays

chapter 8|14 pages

Theatre of Kishida Rio

Towards re-signification of “home” for women in Asia

chapter 9|18 pages

Foreign Female Interventions in Traditional Asian Arts

Rebecca Teele and Cristina Formaggia

chapter 10|15 pages

An Unexpected Voice

Performance, gender and protecting tradition in Korean mask dance dramas 1

part 3|42 pages

Reconstruction

chapter 11|15 pages

Rasatrialogue

The politics of the female body in Asian performance

chapter 12|14 pages

Nangiar Kuthu

Interference, intervention and inheritance

chapter 13|12 pages

Women in British Asian theatre