ABSTRACT

War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses.

The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested.

This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.

chapter |14 pages

Introduction

part I|75 pages

Strategies of Seeing

chapter 1|30 pages

A Documentary Photographer's Strategies of Representation in Homes and Gardens

Documenting the Invisible (1996) and in No Place Like Home: Echoes from Kosovo (2001)

chapter 3|26 pages

Beyond Mass Media

Representations of War between Art and Journalism

part II|89 pages

Refugees, Language, and Resistance

chapter 4|16 pages

The Promise and Threat of the Shibboleth

Linguistic Representations of Asylum Seekers

chapter 7|17 pages

At Home with the Unhomely

Vietnamese and Iraqi Narratives of Invasion, Occupation, and “Resettlement”

part III|49 pages

Global Theaters of War

chapter 8|8 pages

Questions on Performances

In Place of War

chapter 9|23 pages

Fostering Connectedness through Narrative Involvement

Intercultural Community Theater in Contexts of Migration and Refugeehood

chapter 10|16 pages

Dramatizing the Congo

Refugees, Humanitarian Aid Workers, and Gender

part IV|49 pages

Interrupting Narratives

chapter 11|16 pages

Pens and Swords

Creative Writing and Poetry in Post-Conflict and Displacement Settings