ABSTRACT

Dealing with questions of the meaning of eroticism in Renaissance England and its separation from other affective relations, Queer Renaissance Historiography examines the distinctive arrangement of sexuality during this period, and the role that queer theory has played in our understanding of this arrangement. As such this book not only reflects on the practice of writing a queer history of Renaissance England, but also suggests new directions for this practice. Queer Renaissance Historiography collects original contributions from leading experts, participating in a range of critical conversations whilst prompting scholars and students alike to reconsider what we think we know about sex and sexuality in Renaissance England. Presenting ethical, political and critical analyses of Early Modern texts, this book sets the tone for future scholarship on Renaissance sexualities, making a timely intervention in theoretical and methodological debates.

chapter |26 pages

Beyond Sodomy

What is Still Queer About Early Modern Queer Studies?

chapter |18 pages

“Let it Suffise”

Sexual Acts and Narrative Structure in Hero and Leander

chapter |26 pages

Diana's Band

Safe Spaces, Publics, and Early Modern Lesbianism

chapter |14 pages

The Touch of Office

Supernumerary Economies and the Tudor Public Figure

chapter |22 pages

Grafted to Falstaff and Compounded with Catherine

Mingling Hal in the Second Tetralogy

chapter |8 pages

Period Cramps