ABSTRACT

Critical assessments of Elizabeth Gaskell have tended to emphasise the regional and provincial aspects of her writing, but the scope of her influence extended across the globe. Building on theories of space and place, the contributors to this collection bring a variety of geographical, industrial, psychological, and spatial perspectives to bear on the vast range of Gaskell’s literary output and on her place within the narrative of British letters and national identity. The advent of the railway and the increasing predominance of manufactory machinery reoriented the nation’s physical and social countenance, but alongside the excitement of progress and industry was a sense of fear and loss manifested through an idealization of the country home, the pastoral retreat, and the agricultural south. In keeping with the theme of progress and change, the essays follow parallel narratives that acknowledge both the angst and nostalgia produced by industrial progress and the excitement and awe occasioned by the potential of the empire. Finally, the volume engages with adaptation and cultural performance, in keeping with the continuing importance of Gaskell in contemporary popular culture far beyond the historical and cultural environs of nineteenth-century Manchester.

chapter |8 pages

Introduction

Placing Gaskell

part I|55 pages

Home Geographies

chapter 1|12 pages

Gaskell on the Waterfront

Leisure, Labor, and Maritime Space in the Mid-Nineteenth Century

chapter 3|16 pages

“You might pioneer a little at home”

Hybrid Spaces, Identities, and Homes in Elizabeth Gaskell's North and South

chapter 4|12 pages

Grave Matters

Gothic Places and Kinetic Spaces in Elizabeth Gaskell's Mary Barton

part II|55 pages

Mobility and Boundaries

chapter 6|12 pages

Temporally out of Sync

Migration as Fiction and Philanthropy in Gaskell's Life and Work

chapter 7|12 pages

Moving Between North and South

Cultural Signs and the Progress of Modernity in Elizabeth Gaskell's Novel

chapter 8|14 pages

In Search of Shared Time

National Imaginings in Elizabeth Gaskell's North and South

part III|51 pages

Literary and Imagined Spaces

chapter 9|14 pages

Catching the Post

Elizabeth Gaskell as Traveler and Letter-Writer

chapter 10|10 pages

Gaskell the Ethnographer

The Case of “Modern Greek Songs”

chapter 11|12 pages

Reading “An Every-Day Story” Through Bifocals

Seriality and the Limits of Realism in Elizabeth Gaskell's Wives and Daughters

part IV|45 pages

Cultural Performance and Visual Spaces

chapter 13|18 pages

Applied Meteorology

Scientific Accuracy and Imaginative Writing in Elizabeth Gaskell's “Cousin Phillis” and Wives and Daughters

chapter 15|10 pages

“Look Back at Me”

The Material Re-Performance of the Victorian in North and South (2004) 1

chapter |4 pages

Conclusion

Gaskellian Prospects