ABSTRACT

Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance features essays questioning the extent to which education, an activity pursued in the home, classroom, and the church, led to, mirrored, and was perhaps even transformed by moments of instruction on stage. This volume argues that along with the popular press, the early modern stage is also a key pedagogical site and that education”performed and performative”plays a central role in gender construction. The wealth of sixteenth- and seventeenth-century printed and manuscript documents devoted to education (parenting guides, conduct books, domestic manuals, catechisms, diaries, and autobiographical writings) encourages examination of how education contributed to the formation of gendered and hierarchical structures, as well as the production, reproduction, and performance of masculinity and femininity. In examining both dramatic and non-dramatic texts via aspects of performance theory, this collection explores the ways education instilled formal academic knowledge, but also elucidates how educational practices disciplined students as members of their social realm, citizens of a nation, and representatives of their gender.

chapter 1|18 pages

“Shall I teach you to know?”

Intersections of Pedagogy, Performance, and Gender

part 1|65 pages

Humanism and its Discontents

chapter 2|12 pages

“Now began a new miserie”

The Performance of Pedagogy in Nicholas Breton's The Miseries of Mavillia

chapter 3|20 pages

“Euery one teacheth after thyr owne fantasie”

French Language Instruction

chapter 4|12 pages

“Wonderfullye astonied at the stoutenes of her minde”

Translating Rhetoric and Education in Jane Lumley's The Tragedie of Iphigeneia

part 2|44 pages

Manifestations of Manhood

chapter 6|14 pages

“Honest payneful pastimes”

Pain, Play, and Pedagogy in Early Modern England

chapter 7|12 pages

“Lustful Jove and his adulterous child”

Classical Paiderastia as Same-Sex Marriage in Marlowe's Dido Queene of Carthage

chapter 8|16 pages

“Teach us, sweet madam”

Masculinity, Femininity, and Gendered Instruction in Love's Labor's Lost

part 3|60 pages

Decoding Domesticity

part 4|44 pages

Pedagogy Performed

chapter 14|12 pages

Instructional Performances

Ophelia and the Staging of History

chapter 15|16 pages

Acting Virtuous

Chastity, Theatricality, and The Tragedie of Mariam