ABSTRACT

Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

part One|56 pages

Themes

chapter I|4 pages

‘Continual Becoming'

chapter II|8 pages

Humour

chapter III|10 pages

Photographs

chapter IV|10 pages

Voice

chapter V|8 pages

Leave Taking

chapter VI|8 pages

Aversiveness

chapter VII|6 pages

Inspiration

part Two|137 pages

The 1960s

chapter 1|26 pages

‘Mind Like a Trap'

Bob Dylan, The Freewheelin' Bob Dylan, The Times They Are A-Changin'

chapter 2|26 pages

‘Weird Monkey'

Another Side of Bob Dylan and Bringing It All Back Home

chapter 3|22 pages

‘There is No Eye'

Highway 61 Revisited

chapter 4|22 pages

‘Trapeze Artist'

Blonde on Blonde

chapter 5|20 pages

‘Ghosts Passing Through on Their Way to Tangiers'

The Basement Tapes

chapter 6|20 pages

‘Not Too Far But Just Far Enough So's We Can Say That We've Been There’

John Wesley Harding and Nashville Skyline