ABSTRACT
This paper responds to feminist critiques of the masculinity of the landscape tradition within geography. It draws upon reassessments of the gaze within film theory, art history and cultural studies as well as within representational practice. It does so in order to reclaim the concept of landscape as a theoretical tool and subject of study for a feminist cultural geography. In theorising a reclamation of looking and landscape through a critical feminist approach, issues of vision arid space, gender and representation, politics and pleasure are brought forcefully together through considering images of the male body as landscape by two contemporary women artists. While recognising the politics of representation, the aim is to deconstruct ideas of an unproblematic women’s vision and of a singular or essential male or female gaze. Despite the way in which the metaphor of the body/land has been employed to justify both approaches to women and the environment and to legitimate colonisation, this paper suggests that with regard to both the body and landscape we need to look again arid reconsider the radical potential of visual pleasure arid traditions of visual representation.
