ABSTRACT

Curatorial Challenges investigates the challenges faced by curators in contemporary society and explores which practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. Bringing together international curators and researchers from the fields of art and cultural history, the book provides new research and perspectives on the curatorial process and aims to bridge the traditional gap between theoretical and academic museum studies and museum practices.

The book focuses on exhibitions as a primary site of cultural exchange and argues that, as highly visible showcases, producers of knowledge, and historically embedded events, exhibitions establish and organize meanings of art and cultural heritage. Temporary exhibitions continue to increase in cultural significance and yet the traditional role of the museum as a Bildung institution has changed. As exhibitions gain in significance, so too do curatorial strategies. Arguing that new research is needed to help understand these changes, the book presents original research that explores how curatorial strategies inform both art and cultural history museums in contemporary society. The book also investigates what sort of critical, transformative, and perhaps even conservative, potential can be traced in exhibition cultures.

Curatorial Challenges fosters innovative interdisciplinary exchange and brings new insights to the field of curatorial studies. As such, it should be of great interest to academics, researchers, and postgraduate students engaged in the study of curatorial practice, museum studies, the making of exhibitions, museum communication, and art history.

chapter |5 pages

Introduction

Thinking and doing exhibitions

part I|4 pages

Curating within the changing role of museums as Bildung institutions

chapter 1|11 pages

Curatorship as Bildungsroman

Or, from Hamlet to Hjelmslev

chapter 2|13 pages

Curating the nude in Istanbul

Some curatorial challenges

chapter 4|14 pages

Fashion curation

Unpacking a new discipline and practice

chapter 5|14 pages

Exhibition addresses

The production of publics in exhibitions on colonial history

part II|4 pages

Exhibitions and/as research

chapter 7|11 pages

Curating and research

An uneasy alliance

chapter 9|13 pages

Curating a mild apocalypse

Researching Anthropocene ecologies through analytical figures

chapter 11|11 pages

The forgotten and the forgettable

The making of The World Goes Pop and other stories

chapter 12|14 pages

Looters, smugglers, and collectors

Rethinking models of ownership research and how to mediate it through the form of the exhibition

part III|4 pages

Revisiting the past and challenging canons

chapter 13|15 pages

Multiple modernisms

Curating the postwar era for the present

chapter 14|19 pages

Contested paradise

Exhibiting images from the former Danish West Indies

chapter 15|12 pages

Against the grain of neutralization

Exhibiting the documentary as a curatorial production of subjective knowledge

chapter 16|14 pages

Innovative, polemical, dogmatic

The case of Soviet experimental museum displays, 1930–1933