Introduction

Critical curatorial studies are a burgeoning international research focus, within the broader field of museum studies. The concept and role of the “curator” is in flux, and it can differ greatly within art and culture. The English word “curator” has been used to signify the caretaker of a collection, taking its etymological meaning from the Latin “curare,” or taking care of, or looking after. Traditionally curators in museums operate as discrete and almost “invisible” exhibition makers. In the field of art, however, more often than not they work highly visibly or “indiscretely” with distinct concepts, especially independent curators, who often become prominent stars in the transnational exhibition circuit. In museums of cultural history, the “indiscrete” curator is a rarer creature. Most curators operate behind the scenes, so to speak. The chapter also presents some closing thoughts on the key concepts discussed in the preceding chapters of this book.