ABSTRACT

In setting foot on stage, every performer risks the possiblity of failure. Indeed, the very performance of any human action is inextricable from its potential not to succeed. This inherent potential has become a key critical trope in contemporary theatre, performance studies, and scholarship around visual cultures. Beyond Failure explores what it means for our understanding not just of theatrical practice but of human social and cultural activity more broadly.

The essays in this volume tackle contemporary debates around the theory and poetics of failure, suggesting that in the absence of success can be found a defiance and hopefulness that points to new ways of knowing and being in the world.

Beyond Failure offers a unique and engaging approach for students and practitioners interested not only in the impact of failure on the stage, but what it means for wider social and cultural debates.

chapter Chapter 1|17 pages

Introduction

Knowing failure

part 1|1 pages

The cultural politics of failure

chapter Chapter 2|16 pages

Carry on camping?

Spectacle, concealment, and failure in the performance of politics

chapter Chapter 3|18 pages

What chance failure?

chapter Chapter 4|23 pages

Subverting the system

Kent Monkman and the cultural politics of performing ‘two-spiritedness’

chapter Chapter 5|15 pages

Come hear the music play

The politics of queer failure and practices of survival

part II|1 pages

Failure and performance

chapter Chapter 7|27 pages

Anaesthesis

Dance marathons and the limits of sense

chapter Chapter 8|18 pages

Missing the target

Emotion, stoic psychology, and the actor

part III|1 pages

Theatre’s philosophy of failure

chapter Chapter 9|23 pages

Theatre of the worldless

chapter Chapter 10|15 pages

Theatre’s broken middle

chapter Chapter 11|16 pages

What a joke

Ruzzante’s failed attempt at the good life