ABSTRACT

The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History.

Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: "what is specific to the historiography of the performative?" The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources, and creating meaning. Reflecting on issues of recording — from early modern musical scores, through VHS-technology to latest digital procedures — and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations.

This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally.

chapter |39 pages

Introduction

On Critical Media History

part I|100 pages

Theatre history is performance history

chapter 1|22 pages

The size of all that’s missing

chapter 2|21 pages

Gyno ludens

A doll house redux

chapter 3|18 pages

Rethinking categories of theatre and performance

Archive, scholarship, and practices (a post-colonial Indian perspective)

chapter 4|14 pages

Dancing with the living dead

State violence in South Korea and the performance of memory

chapter 5|23 pages

Setasidedness

part II|86 pages

Materiality and the sensorium

chapter 6|24 pages

Performatic archives

Mobilising affects in eighteenth-century Mexico

chapter 8|20 pages

Canonising impulses, cartographic desires, and the legibility of history

Why speak of/for “Indian” theatrical pasts? 1

chapter 9|21 pages

Decolonising theatre history

Ontological alterity, acting objects, and what Theatre Studies can learn from museums

part III|98 pages

Locating

chapter 10|20 pages

Off the record

Contrapuntal theatre history

chapter 11|11 pages

The theorist and the theorised

Indigenous critiques of Performance Studies 1

chapter 12|9 pages

Complicating hybridity

A view from/through the Andean patron-saint fiesta

chapter 13|21 pages

Theatre-historiographical patterns in the Global South 1950–1990

Transnational and institutional perspectives 1

chapter 15|18 pages

Translation and/as theatre and performance historiography

Towards a reconsideration of a neglected but omnipresent challenge

part V|81 pages

Scaling

chapter 20|19 pages

Modelling the world through play

An exploration in repurposing, representation, and history-writing 1

chapter 21|18 pages

Towards a new culture of public negotiation

Interplay between political and theatrical spheres in the Vienna Revolution of 1848

chapter 22|20 pages

Performance texts and recording performance

Towards a methodology of multiplicity

chapter 23|22 pages

Quantitative visualisation and qualitative research

The Beijing opera Yinpeixiang (video matching audio) project